Word: pit
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...Quincy’s vision of what wolves would do, an animated wolf/bear duo of intergalactic adventurers explore a planet inhabited by pouty-mouthed, bikini-clad creaturelings who love a good party. After a night of orgiastic cartoon excess, the plot takes a sharp turn into “Pit and the Pendulum” doom and gloom, as wolf and bear narrowly escape their female captors-turned-ritualistically-sacrificing-robots. Not quite as idiosyncratic as Mr. Hankey the Christmas Poo, but bizarre enough, considering that Quincy’s working without Trey Parker and Matt Stone. The cartoon storyline...
...really awesome,” she says. “I made kind of arbitrary decisions about where to go to school, and that was actually one of the factors.” Bray also plays the percussion in the Harvard Pops Orchestra and the Gilbert and Sullivan pit. However, her experience with THUD allows her to explore and challenge herself in ways that playing percussion in a traditional orchestra cannot. She enjoys taking on the challenging pieces that THUD performs, utilizing all percussion parts. Bray believes that, for percussionists who participated in innovative ensembles similar to THUD...
...best actor of his generation and also (in Time) as a "stark reminder of the strangling power of addiction" has labored to show Hollywood that he deserves another chance. "He's somebody who's had it, lost it and now has it again, and it's like a pit bull who's got his jaws on a chew toy," says Iron Man director Jon Favreau. "Nothing will take this away from...
...arrested in June 2005 on charges of open and gross lewdness when Out of Town News employees called the police after seeing Ora dancing naked in the Square pit, protesting the commercialization of Christmas. The charges were originally dropped because the Cambridge District Court ruled that dancing naked is constitutional under “expressive conduct protected by the First Amendment,” according to the ruling...
...following me,” Olson explained, “but I’m also following them.” The collaboration, with its call for increased consistency, made for “an exciting new opportunity,” in Olson’s words.The orchestra pit isn’t the only perk of performing in the New College Theatre. Larissa D. Koch ’08-’09, last year’s recipient of the Suzanne Farrell Dance Prize and the choreographer of the first of the performance’s four dances...