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...Pit Near Minsk. "Collective resistance," writes Miss Levin, "was never possible; by the time Jews grasped the reality that they were doomed to be killed no matter what they did, they were isolated, weakened and abandoned." And until that terrible moment, there was the diabolical "tease-and-terror seesaw" psychology of the Nazis, who deliberately "cultivated the illusion that there would be a way out." Until the war's very end, for example, Nazi propagandists billed the camp at Theresienstadt in Czechoslovakia as a kind of idyllic community, though for scores of thousands-including 15,000 of the more...

Author: /time Magazine | Title: Books: The Nations Did Not Interfere | 3/1/1968 | See Source »

...fortunes of Madame Fleur has neither the strength nor the wit to profit by this scaled-down production. Arlen's charm-marinated score-which includes a rousing new wedding number called Jump de Broom-gains nothing from small voices onstage and a five-piece combo in the orchestra pit. Yolande Bavan as Ottilie is as pretty as she is unconvincing, and funky-voiced Josephine Premice brings a fine high style to the role of Madame Fleur. But if the 1954 House was too much, the 1968 one is too little...

Author: /time Magazine | Title: Revivals: House of Flowers | 2/9/1968 | See Source »

...engaged him." Funny? "There were many mistakes," explains Bing. "He was totally inexperienced. But it was all overshadowed by his personality and talent. Experience anyone can get." Mehta made his Met debut in December 1965 with Aïda, quickly became one of the top cocks in the Met pit. This season he has conducted three major productions, including a new Carmen. Says Bing: "I am still impressed by his talent and personality-and now it is less funny...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

...conductor since Sir Thomas Beecham. He has a relatively wide repertory, ranging from Mozart through Berlioz to Stravinsky, and an uncanny talent for instilling the faded and familiar with fresh life. His straightforward technique combines grace with precision and gravity with rhythmic bite, and his touch in the opera pit is firm and stylish...

Author: /time Magazine | Title: Conductors: Gypsy Boy | 1/19/1968 | See Source »

Heroes in the Pits. Not that there haven't been defensive stars before. Washington Redskins Linebacker Sam Huff has been a popular figure for years, and Larry Wilson of the St. Louis Cardinals practically holds the patent on the safety blitz. But they are the visible parts of the defense. What six-year-old could fail to spot a blitzing safety man or cheer a cornerback's one-handed interception. The difference is that knowledgeable football buffs have now found a whole new pantheon of heroes in the heart of the defense: the front four linemen, the immense...

Author: /time Magazine | Title: Football: Four at the Heart | 12/29/1967 | See Source »

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