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...loved the book! Now see the movie! That's how Hollywood used to sell films based on best sellers. But if the film is a notorious flop, like Cleopatra or Heaven's Gate or last year's The Bonfire of the Vanities, the pitch is, You hated the movie, now read the book about how this bad movie got made -- and how it got made...

Author: /time Magazine | Title: A Goner from the Git-Go | 11/25/1991 | See Source »

...movie. O.K. But what do we see? Often, we see what we hear: the dialogue that makes us laugh, or the music that cues our tears. If we do look at a film, it's to watch the actors' fine faces emoting at high pitch. Everything else, everything that touches our senses more subtly -- the lighting, the decor, the very design of the film -- is just furniture. We go to Macy's for that stuff, not to the movies...

Author: /time Magazine | Title: Keep An Eye on the Furniture | 11/25/1991 | See Source »

...than you have, and I know what's really good. I know what I'm up against." Fair enough. But his contemporaries are up against something equally formidable: the Scorsese canon. Cape Fear is a worthy addition to it; the new film meets the challenge of starting at fever pitch and then ascending to a climax that plays like a hurricane of hysteria...

Author: /time Magazine | Title: Filming At Full Throttle: MARTIN SCORSESE | 11/11/1991 | See Source »

...patronizing sales, pitch we were told the clothes being exhibited were objects d'art that sell for as much as $400 at stores like Saks Fifth Avenue and Harrods. Those tempted to buy one of Bina's creations after the show would get a 30 percent discount--just tonight and only for us. The staged exotica, the announcer repeatedly exclaimed, were made in India and handcrafted by refugee artisans from Afghanistan and Iran--I suppose the skills of indigenous Indian craftsman are not quaint or exotic enough to make it to an international fashion show these days...

Author: NO WRITER ATTRIBUTED | Title: Dudley House's Unfashionable Show | 11/7/1991 | See Source »

Pete Dexter's eerie knack for placing himself inside the skin of even the minor players in his novels may be something like perfect pitch for a musician. It is a useful trick, done with no apparent effort -- in Dexter's case with no literary showiness whatsoever -- but by itself it does not make an artist. What deepens and darkens his writing, so that art is the precise word to describe it, is a powerful understanding that character rules, that we live with our weaknesses and die of our strengths...

Author: /time Magazine | Title: Fell or Jumped | 11/4/1991 | See Source »

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