Word: pitchforkness
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Dates: during 2000-2009
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...absolute innocence and absolute malice. Magdalene would have been a better film--at least, it could have been a good one--if it had shown the nuns, themselves the victims of a cruel, cloistered mind-set, as something more than horror-film sisters of Satan. (One literally carries a pitchfork.) Or is it too much to ask a committed filmmaker to offer sympathy for the devil...
...yellow," suggested an upstate New York reader, "to symbolize the blood of thousands of innocent victims and the fire of hatred he has ignited among his followers." And a Massachusetts woman felt an urge known to so many schoolchildren: "At least you could have added horns and a pitchfork...
...righteous tear from the audience. But Magdalene would be a better film - at least, it might have been a good one - if it had shown the nuns, themselves the victims of a cruel, cloistered mind-set, as something more than horror-film sisters of Satan. (One literally carries a pitchfork.) Or is it to much to ask a committed filmmaker to offer sympathy for the devil? Is it possible, for that matter, to provide a lucid, nuanced portrait of children in distress? Yes, says Christophe Ruggia's Les Diables, about two abandoned kids - Joseph (Vincent Rottiers) and his autistic sister...
...Blue Velvet taught us anything, it was that releasing new, nasty blood into a population of relative innocents can yield horribly strange and potentially traumatic events. In The Pitchfork Disney, the new blood takes the form of the smooth-voiced and sardonic Cosmo Disney (Thomas H. Price ’02), who works as one half of a two-man freak show. Decked out in a black tuxedo, ordinary save for a flamboyant red coat, Disney proceeds to intimidate the portly, oft-timid Presley in a lengthy, riveting sequence of interplay. Price, for a good while, is sublime, manipulating Presley?...
...when you get right down to it, the greatest flaw in this staging of The Pitchfork Disney is The Pitchfork Disney itself. The cast and crew find this problem to be largely surmountable, making it an off-beat and often disturbing success...