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...year-old Muslim who worked at the livestock farm near the pit recalls his own jolt one morning, after one of the rare nights in early June when he was not forced to sleep on the premises. On previous occasions, the former truck driver reports, he could hear the sound of the bulldozer working late at night, but he had thought nothing much of it. On the morning in question, he was returning to the job from home and stumbled across a pool of blood on the entrance road...

Author: /time Magazine | Title: UNEARTHING EVIL | 1/29/1996 | See Source »

...something of a counterculturist, hanging out with lepers, driving Pharisees and Roman governors to distraction, suffering little children to come unto him no matter what the stuffy old adults thought. So, were he around today, would he be ministering to disaffected youth in a mosh pit? Would his Sermon on the Mount be turned into a Street Corner Rap? Would MTV put The Lord's Prayer video in the Buzz...

Author: /time Magazine | Title: MUSIC: CHRISTIAN POP: REBORN TO BE WILD | 1/22/1996 | See Source »

...gorgeous lighting work perfectly with the text. All of the action takes place in Dodge and Halie's open, spare, white living room. The stage is tilted and slopes toward the audience, creating the uncomfortable sense that the actors, at any minute, may fall into the empty orchestra pit. The sheer size of the steep, imposing staircase that looms in the background makes it seem to have much more to do with the action of the play than it actually does. But it looks great nonetheless, especially when the scrim behind it is somehow made to look like falling rain...

Author: By Theodore K. Gideonse, | Title: Stern's Uneven Genius Can't Rescue Buried Child | 1/17/1996 | See Source »

...clearer. In much of the first act, Blair's fine but tentative voice does not reach the audience with the strength it should, and it's hard to blame her. Outdoing an army of brass, wind, reeds, and percussion is no easy task, especially since the Agassiz has no pit; instead, the orchestra is crammed between the stage and the first row of seats. When intelligible, the Citizens of the Tower of London are at best satisfactory. Though their swinging and swaying could have been sharper and better choreographed, they looked incredibly happy doing it. The grim faced quartet...

Author: By Fabian Giraldo, | Title: Shaky 'Yeomen' Sings with Heart | 12/7/1995 | See Source »

Harvard's 'Peach Pit...

Author: By Sarah J. Schaffer, | Title: Looking at Loker | 12/5/1995 | See Source »

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