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...Pope, a hot-rodder might say, has a heavy foot. When he drives from Rome to Castel Gandolfo, 79-year-old Pius XII usually leans forward in his Cadillac, stop watch in hand, ready to complain to the chauffeur if the 17.4-mile trip takes 19 instead of 18 minutes...

Author: /time Magazine | Title: Religion: Speed | 10/17/1955 | See Source »

...Catholic prelate in The Netherlands, author of the classic Handbook of Church History; after long illness; in Amersfoort, The Netherlands. Ailing on the date of the Consistory in 1946 when he was to have been elevated to cardinal, Archbishop de Jong received the red hat of office from Pope Pius XII in a special ceremony at Pope Pius' summer residence eight months later, was the first resident cardinal in The Netherlands since the Reformation...

Author: /time Magazine | Title: Milestones, Sep. 19, 1955 | 9/19/1955 | See Source »

Five Hundred Prayers. Across the Tiber, the fourth river, Johnston recorded the welcome of liberated Rome. Pope Pius gave an audience to the Allied press, but what impressed Johnston were the shouts of the cameramen: "Hold it, Pope, we gotcha ..." A Scottish pipe band marched into St. Peter's Square, bent-in the words of the pipe major-on "gieing Popie a blaw." The Pope was delighted, says Orangeman Johnston, but "all the same, they might have picked on a more suitable tune than Lillibulero...

Author: /time Magazine | Title: Books: The Pungency of War | 8/22/1955 | See Source »

...celebrate the sooth anniversary of Fra Angelico's death, the Vatican last week opened a great exhibition of his paintings drawn from as far away as San Francisco. Pope Pius XII himself addressed a crowd of artists and officials at the opening of the show, took occasion to offer some philosophic thoughts on the nature and state...

Author: /time Magazine | Title: Art: Truth & Reality | 5/2/1955 | See Source »

...Pope Pius conceded that art "need not have an explicitly ethical or religious mission. Art, being in the language of the human spirit ... is in itself sacred in so far as it interprets God's work." Then he added a warning addressed specifically to the faddists of modern art and by implication to the empty messengers of any artistic age: "If the language of art gave voice to false, empty and confused spirits not in harmony with the Creator's design, if instead of lifting the mind and heart it stirred the baser passions ... it would degrade itself...

Author: /time Magazine | Title: Art: Truth & Reality | 5/2/1955 | See Source »

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