Word: pixar
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...anticipates an audience ready to take the film on its own terms. But in the spectrum between the aestheticized nostalgia of Spike Jonze’ “Where the Wild Things Are” and the ambitious visual and emotional scope of the latest releases from Pixar Studios, the film feels slightly ill at ease. By any standard other than its source material, “Fantastic Mr. Fox” is not a kids’ movie. The dialogue is packed with ironic jokes and self-referential winks that sail over children of the appropriate age to read...
...father does in Law Abiding Citizen; he simply, and more plausibly, averts his heart from the child he has created, because this Toby is so close to the real Toby as to be both painful reminder and a cruel mockery. (See the top 10 voices of Pixar...
There are no kids in Hollywood, only a kid market. So the moguls gleefully rub their rough hands at the recent blooming of animated features into a reliable blockbuster genre. Anyone could have predicted that Pixar's Up, Blue Sky's Ice Age 3 and DreamWorks' Monsters vs Aliens would be among the year's top-grossing pictures, but who saw Cloudy With a Chance of Meatballs coming? The success of Meatballs, G-Force and Where the Wild Things Are underlines the movie industry's hope that in every jaded teen or wizened adult there's an inner child whose...
...profit pump in an industry rife with unpredictability. The result is that Disney's cable networks represent the one slightly solid piece of earth among the entertainment giant's sinking properties. ABC is struggling, sales are way down at Disney's theme parks and stores, most of its non-Pixar movies have been wan performers, and revenue from DVDs is shriveling. The cable networks, which in addition to the Disney Channel include ESPN, ABC Family, Soapnet and Disney XD, brought in 26% of the company's $26.3 billion in revenue and 58% of its $4.8 billion in operating income during...
...Sendak's work to the screen. He has broken one Hollywood doctrine: the notion that children's cinema is best devised for miniature couch potatoes who require a steady stream of laughs, action sequences and references to flatulence. Even the best American children's movies, like those made by Pixar, embed their heartfelt messages in what are fundamentally entertainments. The mysterious emotional turmoil and, let's face it, weirdness that every parent deals with on a daily basis can be found in the films of the great Japanese director Hayao Miyazaki but seem to have been deemed off-limits...