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...their big coalition partner in a series of effective but unpopular anti-inflationary curbs that pinched consumer pocketbooks and cut back government expenditures on the promised social reforms. His United Socialists paid the price at the polls, winding up with a significantly reduced slice of Italy's political pizza (see chart...

Author: /time Magazine | Title: Italy: No to Everybody | 5/31/1968 | See Source »

Most of the Latin is gone from the Mass. Students at a once WASP-ish university now stuff themselves with pizza from a truck in Freedom Square. But East Cambridge residents can still count on one constant in their lives--the sidewalks beneath their feet...

Author: By William R. Galeota, | Title: Walks Disappear In E. Cambridge | 5/27/1968 | See Source »

...companies keep the results secret, and players have no way of knowing how long the odds are. But they are trying all kinds of gambits to make them shorter. Newspapers carry personal ads seeking matches, with an offer to split the prize. John Racanelli, owner of a Chicago pizza parlor, is typical; he spent $8 advertising in two papers for the other half of his $2,500 Dino Dollar card. "Everybody who called had the same coupon I did," says Racanelli. "I never won anything...

Author: /time Magazine | Title: Giveaways: Anybody Seen Wayne Walker? | 1/19/1968 | See Source »

...second exhibit, Van der Marck showed 34 drawings of "proposed colossal monuments," including giant baked potatoes and pizza pies, by Claes Oldenburg, who was raised in Chicago, where his father was Swedish Consul General. Van der Marck is already talking of floating an Oldenburg on Lake Michigan, as part of Chicago's 150th birthday celebration next summer. After all, Van der Marck figures, since his job is to show what is living in the mind of the artist, what is the point of keeping it confined to a museum...

Author: /time Magazine | Title: Museums: Contemporary in Chicago | 11/3/1967 | See Source »

...discrepancy. A cowboy buff since childhood, he has read 35 books on the subject, once spent a month researching the Old West in the Library of Congress. When he asked Eli Wallach to star in his latest Italian western, the actor cracked: "That must be something like a Hawaiian pizza." Wallach learned different when he arrived in Spain to shoot The Good, the Bad and the Ugly and found that Leone had meticulously reproduced settings and costumes from copies of old U.S. newspapers and photo albums. "He has a fantastic sense of composition and color," says Wallach. "He uses textures...

Author: /time Magazine | Title: Movies Abroad: Hi-ho, Denaro! | 8/4/1967 | See Source »

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