Word: placed
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Dates: during 1960-1969
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...finished in the top ten and none of Adams' top ten harriers finished below 50th, as the usually down-and-out house won the meet and standed the athletic world Adams' point total of 214 was noticeably better than the 712 points it compiled last year in a last-place performance...
...denounced by irate conservatives. "Communists!" they yelled. "Get out of Rome! Long live the Pope!" The scuffle in the streets was symptomatic of the conflict within the Vatican, where 144 prelates assembled this week for the second Bishops' Synod. In the Hall of Broken Heads, once the storage place for discarded statues, they began discussions about the troubled relationship between the Pope and his bishops...
...audience, most of these plays rate a big B for Boredom. There is no moral suasion in crude hack work that substitutes lapel-grabbing diatribes for scrupulous dramatic craftsmanship. A poor play does not become a good play simply because the playwright's heart is in the right place...
Gone were the velvet mounts, the El Grecos and the Goyas, all removed to temporary quarters. In their place were white walls and gray carpeting. And for the first time in the museum's history, the moderns held center stage. The show, "New York Painting and Sculpture: 1940-1970," was organized by the Met's controversial curator of contemporary arts, Henry Geldzahler (see box, page 81). A gargantuan display spreading over 35 galleries, a space that would easily accommodate the entire Museum of Modern Art, it traces the ascendancy of Abstract Expressionism through its later manifestations in hard...
Allowing for a bit of hyperbole, that much is clear from the show itself. Except for a few minimal sculptures, Pop brings Geldzahler's show to an abrupt end and, surprisingly, it takes its place comfortably enough as history. What has happened since 1965, the cutoff date Geldzahler chose for established talents, would be another show entirely, a free-for-all with kinetic and light sculptures, environments, photo-realists and cold figuratists, the shadowy, sensitive light works of Los Angeles artists, the foolish funny funk art of San Franciscans, and the esoteric conceptual fantasies of the young reactionaries...