Search Details

Word: places (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Dartmouth's win in last season's finale pushed the Big Green to a sixth-place finish, 4-?. in the Ivy League race, and the Crimson into seventh. 3-11, Harrison and his team hope to avenge that loss, and a Harvard win will augur well for a successful Ivy League season...

Author: NO WRITER ATTRIBUTED | Title: Basketball Team Faces Tough Dartmouth Squad | 12/6/1969 | See Source »

Princeton, Columbia, and Penn, the first three finishers in the Ivy League last year, are expected to battle it out for the title again this winter. Fourth place is a toss-up between Harvard. Yale Dartmouth, and Cornell...

Author: NO WRITER ATTRIBUTED | Title: Basketball Team Faces Tough Dartmouth Squad | 12/6/1969 | See Source »

Teddy bears kid stuff? Not so, says Peter Bull in his book, Bear with Me, published in England. Give a Teddy to an impressionable child, and the bear has a place in the child's effects and affections for life. Bull, a character actor whose own family of Teddies numbers 14, presents ample and arresting testimony to the fact that he is no oddity but merely one of thousands of thoroughly grown-up people, all dedicated "arctophilists"-friends of the bear...

Author: /time Magazine | Title: Modern Living: Bear Market | 12/5/1969 | See Source »

...derives from gaufre, the French word for honeycomb.) The illustrations are shaggy dog in style, but accompanying quotations from naturalists, explorers and novelists can be stern indeed. Thus Admiral Jaacob van Neck on the dodo bird, circa 1598: "They have thick heads only partially covered with feathers and in place of wings only a few black feathers. We called them DISGUSTING BIRDS, because the longer their flesh is cooked the more unpalatable it becomes." Sic transit dodo...

Author: /time Magazine | Title: Books: A Rich Christmas Sampling | 12/5/1969 | See Source »

...most important ideas for me in the book was the dictum that every day the actor and director must ask himself why he is in the theatre; I examined my own motives (really for the first time) and began to see that the theatre ideally should be a place of giving to people (an audience) who can come to commune with each other in an emotionally active way, where the actor does something in place of, and yet for, the spectator...

Author: NO WRITER ATTRIBUTED | Title: Interview with Leland Moss Developing Direction at the Loeb | 12/5/1969 | See Source »

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