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Kuumba intends to expand this focus by developing annual town hall meetings, the first of which took place last weekend as part of Kuumba’s 40th anniversary celebrations. After the current undergraduate executive board discussed their accomplishments for the year as well as problems they had encountered, the forum gave alumni an opportunity to communicate their visions and goals for the organization...
...when to set the film—to rewrite the script would amount to utter stylistic dismemberment, but to film “Lunatic” as a period piece endows it with a very different meaning than it would have had as a contemporary film in 1956. To place the resurrected “Lunatic” in the same category as, for example, a Tarantino film—whose director intentionally sets certain films in the past as a means of exploring certain generic tropes—indicates a troubling lack of comprehension of Kubrick?...
...bright, but understated. Likewise, the set pieces designed by Matthew B. Bird ’10 are blocky and cartoonish, supplementing the play’s feeling of unreality. The pirates’ boat onstage as the play begins points to this abstract, yet effective impression. These designs rightly place the focus on the performers themselves—as one particularly memorable episode in which the curtains close behind Frederic, Ruth, and the Pirate King illustrates—and those performers seldom fail to charm...
...highlight of the weekend for the Crimson was the co-ed team’s sixth-place effort at the New England Dinghy Championships held at Connecticut College...
...women’s team sent its top sailors to the Women’s Wick & Shrew Trophies at the US Coast Guard Academy, where the contingent came away with a sixth-place finish. The co-ed squad also had competitors race at the 71st Oberg Trophy hosted by Boston University, where Harvard placed ninth, and the Brandeis Invitational and 46th Gibb Trophy race, both hosted by Tufts...