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Dates: during 1950-1959
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This picture, one of the pioneers in the new-school of psychological westerns, is still one of the best. While the heroes of High Noon and Yellow Sky were softened either by sentiment or the vague suspicion of fear, The Gunfihter features men who are just plain, uncomplicated tough. Naturally, their hearts are gold plated and they dearly love their wives and friends, but this doesn't stop them from gunning down fresh young punks, far their inferiors in gun fighting skill, or kicking other young punks who are down and unarmed. The amazing thing is that the writers, actors...

Author: By Robert J. Schoenberg, | Title: The Gunfighter | 2/3/1955 | See Source »

Many of the programs will appeal mainly to special groups, for it is plain that ballet dancing and ethical debates will not intrigue every listener. "WGBH is a station built for special publics," says its manager, Parker Wheatley. "We would begin to worry if everyone just turned his TV set to Channel Two and left it running all evening...

Author: By Robert A. Fish, | Title: WGBH: A Station for Special Publics Develops an Eye as Well as an Ear | 2/2/1955 | See Source »

Church & Athletics. Of the three Kelly daughters, Peggy was the oldest and a cutup, Lizanne the youngest and an extrovert. Grace, the middle one, born Nov. 12, 1929, was shy, quiet, and for years snuffled with a chronic cold. The big, 15-room house in plain East Falls, across the Schuylkill River from the Main Line, was the meeting place for the whole neighborhood. "There was a lawn out back with swings and a sandbox, a tennis court and the usual things like that," says Grace. Summers, the Kelly family had a house on the Jersey shore at Ocean City...

Author: /time Magazine | Title: Cinema: The Girl in White Gloves | 1/31/1955 | See Source »

...coat wrinkles and the way a $75 coat wrinkles." He used a camera to record hundreds of such differences, then translated them into the sparse, nervous lines that are his trademark. But for years his main business was simply to protest evils and inequities. Shahn made his messages so plain that many of them were converted into posters by the addition of a slogan. During World War II Shahn became a poster artist for the Government, later put the horror and ruin of war into some of the most powerful pictures of his career. The changes of history were clearly...

Author: /time Magazine | Title: Art: Mirrors & Messages | 1/31/1955 | See Source »

Dealing with the latter problem, the film describes the symbiotic association of a cop and his "stoolie." The cop rises from a rookie patrolman to a plain-clothes lieutenant on the strength of tips from his informer. In exchange, the "stool pigeon" receives pardons and paroles for crimes he commits in other districts, and in the process, he progresses for apple snatching in Hay-market Square to the $2,500,000 theft. As the camera moves gracefully from one non sequitur to the next, the fatherly policeman is alternately hopeful and disillusioned in his efforts to reform the informer...

Author: By Richard A. Burgheim, | Title: 6 Bridges to Cross | 1/29/1955 | See Source »

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