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Dates: during 1990-1999
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However, Riefenstahl's conviction that an artist has no political responsibility for his or her art will strike most viewers as naive at best, and disingenuous at worst. And the idea that "Triumph of the Will" is not propaganda is just plain impossible to take seriously. Riefenstahl defends herself by saying she was hired by Hitler as an artist to make an artistic film, not a political...

Author: By Emil J. Kiehne, | Title: It's a Wonderful, Horrible Life | 5/13/1994 | See Source »

This lack of objectives is not the fault of the U.N. bureaucracy. Strategy is not its business. That must come from the Great Powers. But when the U.S. makes plain that it will pursue nothing that does not command the assent of "the allies" -- and the allies have conflicting objectives -- the result is guaranteed chaos...

Author: /time Magazine | Title: The U.N. Obsession | 5/9/1994 | See Source »

What underlies this radical desire? Plain common sense. Let's face it, most students come to Harvard without a clear idea of what constitutes a liberal education. A little guidance couldn't hurt. What we want--and there's no reason to be ashamed--is the option to buy a six-track greatest hits collection of Western...

Author: By Dan E. Markel, | Title: Filling Up the Core | 4/27/1994 | See Source »

...McGahern writes with a pure and plain grace, lighting up the spots of life hidden in confused, blundering places. In both "Wheels" and "Gold Watch," he shows two narrators, each in the process of becoming finally, completely estranged his father. In "Wheels," the narrator leaves, free and alone; "Gold Watch" ends with the narrator outside his father's house as the lights go out, newly married and happy in it. In each story, time continues exorably, and the prose carries the reader along effortlessly almost to the place that escapes us while engaged in the business of living. where time...

Author: By Daniel N. Halpern, | Title: Silence, Gunning and homebodies | 4/14/1994 | See Source »

...inexplicable decision deflates the tensions and, frankly, the fun, of this incoherent effort. The script lacks plot to begin with, but shifting focus from hit material makes "Proxy" just plain suck...

Author: By Thomas Madsen, | Title: 'The Hudsucker Proxy' Stands in for Real Satire | 4/14/1994 | See Source »

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