Word: plaines
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Dates: during 1970-1979
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...unusual undertaking for the Loeb mainstage. Panizza's ideas have been undeservedly shunned by directors, but the script has technical faults which director Richard Pena failed to recognize. Sometimes the metaphor of syphilis becomes obsessive, which makes the devil's session before God too long, redundant and plain boring. As the devil himself observes, "You can take a lot of crap as long as you can communicate." His soliloquy is laced with pseudo-scientific clap-trap that is arresting only because Kenneth Demsky's tremulous head, clubfooted hitch and fine, brooding elocution fascinate...
Little such instruction exists for those interested in jazz--musicians, historians, critics, or just plain enthusiasts. Harvard's Music department fails to offer a single course in jazz theory, improvisation, or composition. Those interested are urged to cross register at other schools in Boston for such instruction. Similarly, the department offers no classes in history or criticism of jazz music...
...thoughts about the dynamism of Venus on observations made by others through the huge radio telescope at Goldstone, Calif. One series of shots of Venus' surface shows a vast, troughlike depression about three-quarters of a mile long and 200 yds. wide; another shows, on an otherwise smooth plain, a cluster of 15 to 20 peaks in a pattern strongly reminiscent of volcanoes on earth. A third view further strengthens suspicions that Venus, whose high temperatures (around 900° F.) suggest a medieval theologian's idea of hell, may possess a recently active volcano. It shows a mountain...
...Katherine of France, speaking partly in fractured French while she answers in broken English. In amused frustration Henry says: "I" faith, Kate, my wooing is fit for thy understanding. I am glad thou canst speak no better English, for, if thou couldst, thou wouldst find me such a plain king that thou wouldst think I had sold my farm to buy my crown...
This play briefly opens a window on one woman's life and then permanently locks the door. The heiress, Catherine Sloper (Jane Alexander), is an awkward, self-denigrating, plain-featured girl who falls ardently in love with a handsome fortune hunter named Morris Townsend (David Selby). He knows how to simulate passion since money is his love...