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Spain has the Catalan sculptor Susana Solano, 42, whose constructions of sheet iron, mesh and rods are based on the image of baths and attain a weird intensity in balancing the plain, structurally explicit means of minimalism against an atmosphere of secrecy and menace: they could be prison cells or metaphorical labyrinths...

Author: /time Magazine | Title: Art: The Venice Biennale Bounces Back | 7/25/1988 | See Source »

...wouldn't give you two cents for all your fancy rules if, behind them, they didn't have a little bit of plain, ordinary kindness--and a little looking out for the other fella...

Author: By Julio R. Varela, | Title: Take a Closer Look | 7/19/1988 | See Source »

...Driving Miss Daisy and, starting next month, Rex Harrison in a revival of The Admirable Crichton. Those with a taste for undeservedly obscure classics can see two sprightly, acerbic Restoration comedies at R.S.C. headquarters in Stratford-upon-Avon, George Farquhar's The Constant Couple and William Wycherley's The Plain Dealer, plus Noel Coward's Easy Virtue, ably done in the West End. At the National, Dion Boucicault's The Shaughraun, a 19th century Irish separatist tract masquerading as a farcical melodrama, proves its author a deft orchestrator of tone and plot...

Author: /time Magazine | Title: Theater: London's Dry Season | 7/18/1988 | See Source »

...first, Carver's plain style sounds a lot like Hemingway in his short stories. (Carver has written poetry but has never written a novel.) There's a similar use of ellipsis. "A Small, Good Thing" has the seductively simple ring of Hemingway titles like "The End of Something" and "A Clean, Well-Lighted Place." And the men in Where I'm Calling From hunt, fish, drink and brawl. But although Hemingway's men adopt a tough exterior in order to hide when life or women get them down, Carver's men remain vulnerable, as husbands or fathers, and risk compassion...

Author: By W. CALEB Crain, | Title: Carver's Quiet Brilliance | 7/12/1988 | See Source »

Almost as regularly as the summer solstice sunrise that they come to celebrate every June, crowds of scruffy youths descend before dawn on ancient Stonehenge on Britain's Salisbury Plain. Last week 4,000 hippies, as they are quaintly called in Britain, turned the annual rite into a full-scale riot, partly to protest the barriers erected around the early Bronze Age monument in recent years to protect it from crowds...

Author: /time Magazine | Title: Britain: From Rite To Riot | 7/4/1988 | See Source »

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