Word: plamer
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Dates: during 1960-1969
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...point-of-view cutting in the scene where Palmer discovers the dead Doctor Kaarna reveals Russell's sophistication concerning standard devices, as does his tendency to cut to paintings and other background objects prior to introducing characters into the frame. The cross-cutting between a Moscow-bound train and Plamer's Pursuing car is riveting, and Russell shows sensitivity in handling the Francoise Dorleac character in a style markedly different from the rest of the shooting. A night scene where she is shown from several angles walking to recover some virus-ridden eggs accentuates her beauty and the romance...