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...decided the fate of the project and promised that he will promptly convey such information to the community when he is notified. “There are no mysterious things going on,” said LeFlore, who added that none of the work has deviated from the initial plan and that the concrete slab is a necessary component of the Complex’s foundation. Philip Coleman, the Turner construction manager for the site, said that 4 or 5 concrete pourings have been completed thus far, and that roughly 15 loads remain. The final concrete slab covering most...

Author: By Michelle L. Quach and Peter F. Zhu, CRIMSON STAFF WRITERSS | Title: Residents Fear Construction Halt | 9/11/2009 | See Source »

When an organization can’t raise any money, it renames the campaign and hopes for a miracle. At least, that seems the plan of the UC Capital Campaign, which has split off its fundraising campaign from the UC after a lackluster performance over the summer that generated a paltry $700 for a student center. It’s not surprising that the UC found itself in this unenviable position in the first place: We were skeptical when we heard the campaign’s lofty aspirations last spring and have never expected much from the plan. The Capital...

Author: By The Crimson Staff | Title: Seven-Hundred Dollars Down... | 9/11/2009 | See Source »

...sums of money and influence peddled by huge industries and massive institutions. It seems unlikely or perhaps incorrect that a marginal individual like Wilson could have such a significant impact on the process. But this is the lesson that the Joe Wilson incident teaches us. The outcome of this plan turns on the actions of just a few individuals. Wilson may never be more than a footnote in the story of how Barack Obama passed health-care reform, but so much of the outcome will be determined by equally unlikely heroes. Who would have imagined that Max Baucus, the fiscally...

Author: By Clay A. Dumas | Title: So You Think You Can Shout | 9/11/2009 | See Source »

What does it take to steal a Rembrandt? Surely one must divert the museum guard’s attention, disable alarms, twist through zigzagging lasers and plan a smooth escape. At least so it would seem from art heist films like “The Thomas Crown Affair.” But, according to the infamous art thief Myles J. Connor, Jr., all you really need is the audacity to stride into a museum during open hours, grab a painting, and run like hell...

Author: By Antonia M.R. Peacocke, CRIMSON STAFF WRITER | Title: The Harvard Job | 9/11/2009 | See Source »

...Most of his other robberies also went smoothly, without tripping over security measures. “They could always be circumvented,” Connor says. He worked sometimes with associates and sometimes without, sometimes armed and sometimes unarmed. But with just a little research, a plan and—especially once he became notorious—a disguise, no museum ever undid him. “Every one I ever targeted I took down,” says Connor, who laughs at the idea of being caught...

Author: By Antonia M.R. Peacocke, CRIMSON STAFF WRITER | Title: The Harvard Job | 9/11/2009 | See Source »

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