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...Square’s pit of consumption can be difficult to resist. Elizabeth J. Heymann ’06 spends most of her money on big purchases like plane tickets to visit her boyfriend but she admits, “What kills my budget are runs to Starbucks and impulse buys at Aldo.” The latte factor can be significant for Harvard’s fatigued students—coffee is more than caffeine; it’s a warm, satisfying drink with a bonus jolt. “Last year I went [to Starbucks] on average five...

Author: NO WRITER ATTRIBUTED | Title: NO HEADLINE | 11/10/2004 | See Source »

...Absentee ballots are far more prevalent and easy to obtain than they have been in the past, but there is still much work to be done. Many students who duly registered and applied for ballots never got them, leaving them no way to exercise their democratic rights but a plane ticket home. Still more students were daunted from voting by the Byzantine application process...

Author: By The Crimson Staff, | Title: The Young and the Voiceless | 11/8/2004 | See Source »

Little more than a month later, ABC had two brand-new Top 10 dramas--both textbook examples of what viewers in the CSI era supposedly don't want to watch. Lost, an X-Files-like supernatural chiller about plane-crash survivors on a spooky island, and Desperate Housewives, a soap about lust and secrets in upscale suburbia, are stories with complicated serial plots that viewers have to follow closely. And they're following gladly...

Author: /time Magazine | Title: Television: Counter-Procedural: Attack of the Killer Serials | 11/8/2004 | See Source »

...HARD TO MAKE PLANE OR RESTAURANT RESERVATIONS? Luckily, when you go out in public, nobody knows who you are. You walk the street like everybody. I've heard comments when I make reservations. If I am going to have lunch with somebody, the reservations would be in his name...

Author: /time Magazine | Title: 10 Questions for Yeslam Bin Ladin | 11/8/2004 | See Source »

...Escort Crash on Marston Street” by Heavenly from the album Heavenly Vs. Satan; 0:10 into the track. “Heavenly” describes lead singer Amelia Fletcher’s voice perfectly. Her notes are ethereal, lilting; they seem to belong on a plane completely separate from our own. So when she opens this 1991 track with the words “Oh hey Robert / you’re driving much too fucking fast,” her casual cuss strikes me as especially enticing. That the song’s a metapoetic description...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: Confessions of a Feminine Cursing Fetishist | 11/5/2004 | See Source »

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