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...ship reconstructor: "Ships were the most complex structures made by these societies. When you look at the remains of a ship, you're looking at a very high degree of technology within that period." Working with a crew of assistants and archaeologists, Steffy sketches the shape of each surviving plank fragment, frame and other timbers as soon as possible after it is raised, then makes scaled-down copies of the pieces and fits them together. He has made a hypothetical reproduction of a ship's hull from 10% of the surviving timbers...

Author: /time Magazine | Title: Science: Down into the Deep | 8/11/1986 | See Source »

...Falcon and The Big Sleep are about as close to this beachfront vaudeville as Mars and Saturn are to Pluto (the Disney dog, not the planet). It hardly matters. All of the productions, from Something Wicked This Way Comes to The Martian Chronicles, are portions sawed from a long plank called Bradbury. Brief or full length, they bear the characteristic fine grain, knots, splinters and warps...

Author: /time Magazine | Title: Books: Dwarfed By Ancient Archetypes Death Is a Lonely Business | 10/28/1985 | See Source »

...agreed to a delay in Social Security cost of living adjustments to cut the deficit. Says Iowa's Republican Senator Charles Grassley: "He needs to give us a clear understanding of when he will be with us and when he won't, if he expects us to walk the plank...

Author: /time Magazine | Title: Back in the Saddle Again | 9/9/1985 | See Source »

Outside the White House last week, construction workers toiled in the chill weather to erect a reviewing booth and grandstand for the Inaugural parade, one of the first events of Ronald Reagan's second term. The laying of each plank and pipe was dictated by blueprints...

Author: /time Magazine | Title: Shake-Up At the White House | 1/21/1985 | See Source »

...claustrophobic spaces they inhabit--shallow, pleated, distorted into shoving and butting against the four edges of the canvas. The "naive" determination of 15th century carvers to get a deep room and a whole Last Supper out of a slab of limewood not much thicker than a plank--with the result that everything stands up and out, as if in fright--got transferred to Beckmann's argument with the flat canvas. Even the gestures are religious. Thus the showing of outstretched palms, Beckmann's favorite sign for pathos and surrender, comes from the traditional figure of Christ...

Author: /time Magazine | Title: Art: Psychological Realist in a Bad Age | 1/14/1985 | See Source »

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