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ROBERT D'ARISTA-Nordness, 831 Madison Ave. at 69th. In his last painting show, this American University professor of art laid on paint like plaster of paris; for this one, he has tidied up his canvases and thinned his oils to a fine translucence. While he varies his use of texture, D'Arista is constantly concerned with chiaroscuro. His figures cast dark, subtle shadows on a curtain of white or emerge from darkness like apparitions. Through March...

Author: /time Magazine | Title: Art: Art in New York: Feb. 28, 1964 | 2/28/1964 | See Source »

...store to the tasseled Victorian lampshades in an Aeroflot jet, that looks as if it had never really been new. Walls and floors often bulge as if there were gophers in the woodwork; many new buildings are girdled with safety nets to protect passers-by from cascading bricks and plaster. From its pockmarked paneling, cracking plaster and flaking paint, Moscow's eight-year-old Ukraine Hotel looks almost as if it had been built for Mosfilm's movie of War and Peace. While party officials sing the praises of Orgalit, a kind of Red Masonite widely used...

Author: /time Magazine | Title: Russia: Tomorrow Is Three Suits | 2/21/1964 | See Source »

...Plastered Pulse. Among Rorimer's special kicks is encountering in the lobby a life-size plaster cast of one of the Met's curators, Henry Geldzahler, made by Sculptor George Segal. For the Sculls, the plastered Henry (top picture, opposite page) has become a household pet. Scull likes to feel Henry's pulse. "How pale you look," he murmurs. Scull's three boys chat with Henry and use him as a talisman of good luck for exams at school...

Author: /time Magazine | Title: Art: At Home with Henry | 2/21/1964 | See Source »

...Plaster-packer Segal, whose works recall Pompeian people petrified in lava, did a cast of Scull, and James Rosenquist did a family portrait. In it, nothing shows of Scull but his legs and feet, next to a realistic taxicab with open door, and inside the cab, an upside-down closeup of Ethel being kissed on the nose by one of her children. "Not quite the Mona Lisa," says Scull...

Author: /time Magazine | Title: Art: At Home with Henry | 2/21/1964 | See Source »

Penthouses & Fishbowls. Inside the Johansen house, the concave surfaces of the walls are finished in plaster, silk or Italian glass tile. The shell walls surround a living room with a fireplace in its own enclosed area, a dining room large enough for twelve, a skylighted kitchen, a master bedroom with two baths, a sitting room, and a penthouse study for the doctor. From here, he can wigwag through the skylight into the kitchen when he is ready for lunch. There is also a separate guest house that can accommodate six when the occasion arises...

Author: /time Magazine | Title: Art: Add Water, Mix & Pour | 1/24/1964 | See Source »

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