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...frame also has its uses for artists looking to make abstract work more articulate. Two years ago, Robert Morris began showing a series of white bas-relief works that seemed to vent nuclear anxieties in a visual language of medieval fatalism. Embedded in an infernal slurry of plaster, human faces and fractured skeletons held the poses of apocalyptic death agony. This year Morris returned to painting with a series of more ambiguous abstractions. But a skeletal frieze has been retained along the frame to specify the note of mortal dread. Similarly, in 1979 Jasper Johns embedded a train of cutlery...

Author: /time Magazine | Title: Art: Returning to the Frame Game | 12/3/1984 | See Source »

Nearly all student rooms are finished, except for minor jobs including some plaster repair and local electrical work, Quinn said...

Author: By Melissa I. Weissberg, | Title: Hot Water and Phone Jacks Lacking Due to Renovations | 9/13/1984 | See Source »

...publication, "ravishing a voluptuous nude female; breasts rhyme visually with hubcaps and headlights, hair with fenders, belly and buttocks with hood and trunk." Edward Kienholz's sculpture Back Seat Dodge '38 shows a truncated car, its front seat removed. In the back, a chicken-wire man and plaster woman are wrapped in beer bottles and each other. The license plate reads C692, EVERYWHERE...

Author: /time Magazine | Title: Design: Auto-Intoxication in Los Angeles | 9/10/1984 | See Source »

...Agapito ("Butz") Aquino, Ninoy's brother, had feared that the centerpiece of the celebration, the statue, cast in Rome by Philippine Sculptor Tomas Concepcion and flown to Manila via New York City, would be deliberately held up by Philippine customs and had readied a similar statue made of plaster. But after a two-day standoff, during which the bronze was kept at the airport, Marcos ordered $3,970 in duties waived and the figure released...

Author: /time Magazine | Title: The Philippines: Yellow and Red for Aquino | 9/3/1984 | See Source »

...circle of flattering pink mirrors catches multiple reflections of the plaster statue of Diana. On the dusty-rose settee, two elderly ladies in Orion lace sweaters tell each other racist jokes and giggle. The attendant, who is black, has just unwrapped twelve rolls of toilet paper and is now dragging two huge bags of trash out the door. She passes an aghast English-speaking European tourist, who apparently expected Las Vegas to be more in the style of James Bond at Monte Carlo...

Author: /time Magazine | Title: In Las Vegas: Working Hard for the Money | 8/27/1984 | See Source »

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