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Word: plasterers (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...that Diego Rivera's picture for Rockefeller Center's RCA Building, The Crossroads, with Lenin uniting the workers, was "reduced to plaster dust." If that is the case, then it has been beautifully reassembled . . . for it can be seen in the Palace of Fine Arts, Mexico City ... A sizable amount of "dust" to be moved about, or did Rivera paint the same mural again for our neighbors to the South...

Author: /time Magazine | Title: Letters, Apr. 25, 1949 | 4/25/1949 | See Source »

...Better Future." To Rivera, the "Crossroads" were capitalism and Communism, so he painted a mural contrasting Wall Streeters on a binge with Lenin uniting the workers. The Rockefellers said Lenin must go: Rivera thumbed his nose. In the end the Rockefellers had the fresco reduced to plaster dust...

Author: /time Magazine | Title: Art: The Long Voyage Home | 4/4/1949 | See Source »

...great proportion of the rooms at Winthrop contain dumb-bells, and plaster casts of the discus-thrower outnumber other sculpture three to one. This is because Winthrop members are traditionally athletic, and show no sign of relaxing their interest in intramural and all-College sports. There are even some intra-House sports, such as water-fighting, which have been highly organized in the past...

Author: NO WRITER ATTRIBUTED | Title: Winthrop Has Laissez-Faire policy | 3/19/1949 | See Source »

...Century, had been baked to oblivion. The rich reds and greens of the originals, which the loving care of generations of monks (and recent injections of acrylic resin) had helped preserve, were gone; the delicately-draped Buddhas and elegant Bodhisattvas were only faint black outlines on the smoke-smirched plaster...

Author: /time Magazine | Title: Art: Lost Treasures | 2/14/1949 | See Source »

There is nothing modern about modern church statuary. Roman Catholic churches everywhere are filled with mass-production plaster replicas that perpetuate igth Century traditions of prettiness and molasses-smoothness. One reason is that few parishes can afford to commission sculptures on their own. Instead they buy from manufacturers catering to a safely low denominator of public taste. In Paris, a row of shops along the Rue St.-Sulpice supplies the demand. In the U.S., it's Barclay Street, in downtown Manhattan...

Author: /time Magazine | Title: Art: Important Try | 1/17/1949 | See Source »

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