Word: plasterers
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Dates: during 1960-1969
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...really shouldn't pass by any more, huh?" I had just noticed the extent to which the old Resistance office had collapsed. The roof beams were strewn about the floor and plaster and panelling from the walls and ceiling had fallen all over. Only one of the couches with half the springs showing was left, and it was upside down. The usually well-lit office had lost most of its fluorescent bulbs. None of the mimeograph equipment or file cabinets was left. The screen door still hung open from the garage door, and that had led me to assume that...
...could be Just Dropping By. Girls are supposed to yell "Man on" when they bring their visitors upstairs and put a sign on the door after they have evacuated their roommate. The leering suppositions underlying these procedures put the focus on just what the authorities are presumably trying to plaster over...
...really shouldn't pass by anymore, huh?" I had just noticed the extent to which the old Resistence office had collapsed. The roof beams were strewn about the floor and plaster and panelling from the walls and ceiling had fallen all over. Only one of the couches with half the springs showing was left, and it was upside down. The usually well-lit office had lost most of its fluorescent bulbs. None of the mimeograph equipment or file cabinets was left. The screen door still hung open from the garage door, and that had led me to assume that...
...waters. In the past, flooding was a rarity in Venice. But now it has become almost a regular occurrence, as winds and new tidal currents trap an overflow of water behind the lagoon's three egresses. Along the canals, water has seeped through foundations to crack and moisten plaster walls -some of them holding priceless paintings. The frescoes by Paolo Veronese in the Church of San Sebastiano, for example, have become cracked and lumped by moisture. A preview of what can happen came in the disastrous floods of November 1966. Whipped by abnormally high winds, the water level rose...
Neither time nor text, for one, allows a full characterization for each of the twelve disciples; but a device must be found to break their identification with the traditional figures of religious art, from Da Vinci canvases to plaster saints. So the disciple of this staging are cast and pressed as street people, marked in dress and aspect by the miles behind and the miles ahead. Together, they resemble both a juvenile gang and a disreputable pick-up football team. Separately, they evoke overtones: St. John (Lloyd Schwartz) suggests a veteran of the Sierra Maestra, while St. Matthew (Michael Dobson...