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...past to such masters as Whistler, Winslow Homer and George Bellows, went to Louis Guglielmi of Manhattan for his New York 21, an expert semi-abstraction. Lithuanian-born Sculptor Jacques Lipchitz admitted that he was bucked up when his Prometheus Strangling the Vulture, a powerful, aggressively ugly study in plaster, won the top sculpture award. A few days after he sent Prometheus off to Philadelphia for the academy show, fire destroyed his Manhattan studio, along with ten years of work in models, sketches and drawings. "Part of my life is gone," said Lipchitz, "but the fact that Prometheus is safe...

Author: /time Magazine | Title: Art: Philadelphia Honors | 2/4/1952 | See Source »

Sentimental Loss. Paleontologists felt little more than a sentimental sense of loss. Before Pearl Harbor, plaster casts had been made of the ancient bones and shipped to a number of Western museums. The cast of a female Peking cranium, fondly known as Suzanne, was built up into a composite skull. Then, early last spring, Dr. Pei Wen-chung, one of the men who found remnants of Peking man in a limestone cave at Choukoutien, sounded off in the Chinese Communist newspaper, Ta Kung Pao. The Japanese had indeed captured the fossils, he said: they had been shipped to Tokyo, later...

Author: /time Magazine | Title: Science: Bones of Contention | 1/14/1952 | See Source »

After a tour of Israel, where his sitters included President Chaim Weizman, Prime Minister David Ben-Gurion, a few "men in the street," and members of the cabinet, Sculptor Jo Davidson arrived in Paris with a group of plaster busts to be cast in bronze. It was the beginning of a Davidson project to make a bronze history of the new country...

Author: /time Magazine | Title: People: In the Family | 12/31/1951 | See Source »

Buddies & Torpedoes. Conservatives among U.S. sculptors, some of whom boycotted the show because they considered the jury too modern, still got their share of space. But, for the most part, they wasted it. Cecil Howard's sleek, plaster Adonis, Sacrifice, and Paul Manship's pair of bare-chested soldiers, striding arm in arm, entitled Buddies, were spiritless war-memorial stereotypes...

Author: /time Magazine | Title: Art: The Sculptors' Turn | 12/17/1951 | See Source »

...chief reason for Versailles' sad state: inadequate gutters to lead off rainwater, and jerry-built interiors. Seepage has rotted away the wooden beams supporting the parqueted floors, loosened the gold and plaster ceilings which are nailed precariously to deteriorating laths. "It is like a house of cards," says Government Architect André Japy. "If one part begins collapsing, everything else will follow. It is no longer a question of repairing one part of the building; everything must be restored...

Author: /time Magazine | Title: Art: Royal House of Cards | 12/10/1951 | See Source »

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