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...story of a little museum that could—an institution that survived two World Wars, the Holocaust, the Cold War and widespread antagonism to a museum dedicated to Germany. More than 100 years ago, tucked away in the vacant Rogers Gymnasium, Harvard Faculty members assembled a hodgepodge of plaster replicas and photographs. The collection, known then as the Germanic Museum, consisted only of Germanic architectural and sculptural monuments, generous gifts from Emperor William II of Germany...

Author: By Stephanie Tung, CONTRIBUTING WRITER | Title: Busch-Reisinger Museum Celebrates Centennial in (Expressionist) Style | 11/7/2003 | See Source »

...find myself in love with my new musical home. The week of our first concert, I happily braved early hour masking tape duty to plaster the Yard with posters. The day of the performance, I tabled outside the Science Center for a cold and windy hour at 9 a.m. I wear the sweatshirt and do these things out of a desire to see the orchestra succeed. But I can’t help think that throwing myself into things like this might be a defense mechanism against feeling removed from the group—both because I am a percussionist...

Author: By Jessica S. Zdeb, CRIMSON STAFF WRITER | Title: I Love It, I Want It | 11/6/2003 | See Source »

Less than a week after having the cast on his right arm removed, Harvard’s junior quarterback found his throwing hand back in plaster after re-aggravating his broken hand in Saturday’s 30-16 loss to Dartmouth...

Author: By Timothy J. Mcginn, CRIMSON STAFF WRITER | Title: Fitzpatrick Reinjures Broken Hand | 11/4/2003 | See Source »

...course, someone will always find the need to hand out flyers and plaster campus. But with some simple, common-sense measures like a new, user-friendly website, we first years might just be able to find the clubs we want, cut down on the upperclass students outside Annenberg and save some trees in the process...

Author: By Loui Itoh, | Title: Flyering in The Wind | 10/21/2003 | See Source »

...sides of the frame. Steamboat and Sailboats, Toward Evening and the abstract Polyphony are exercises in Klee's dreamlike version of pointillism, with light and shadow played out in multicolored dots. But 1933 brings an abrupt, definitive change in subject matter and style. The pale, thickly painted watercolor-and- plaster Head of a Martyr fills its small frame with downcast eyes and a battered, gap-toothed mouth. The circular face of Marked Man (1935), painted in scratchy russets and browns, is a target scarred with black crosshairs. In 1936, Klee returned to his Bauhaus preoccupation with constructing colored forms...

Author: /time Magazine | Title: Feats Of Klee | 8/24/2003 | See Source »

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