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Gangs of agitators 70-and 80-strong descend on villages, plaster handbills on walls, harangue the people over loudspeakers, and turn every threat and promise on each individual farmer to join "the beautiful socialist society." Some farmers have committed suicide rather than submit. Many have slaughtered their livestock. The Erfurt Communist newspaper, Das Volk, recently reported 380 barn burnings in its district. And the most desperate have wrenched themselves away from their ancestral holdings and fled west, joining a refugee stream of about 400 a day. Said one farmer who fled last week to West Berlin with his family, after...

Author: /time Magazine | Title: GERMANY: The Double Flow | 3/28/1960 | See Source »

...loses it-or so it appears. Soon, throughout Edinburgh, copies of the verses are falling like fig leaves. The barometer of conventional morality falls dangerously too. Everyone burns but few marry; Arbuthnot himself corners a young wench in his office, and clerks on the floor below watch anxiously as plaster flakes off the ceiling...

Author: /time Magazine | Title: Books: Return of Rantin' Rab | 2/8/1960 | See Source »

...drab suburb of Arcueil, four miles south of Paris, stands an undistinguished building with a partly frosted glass window through which may be glimpsed a plaster angel negligently hung upside down. A bronze shingle on the door identifies the place as the foundry of the Susse Brothers, a name as famous among modern sculptors as Benvenuto Cellini's. Many major sculptors will have their works cast by no other foundry...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

...such moderns as Richier, Reg Butler and Giacometti. A plastic mold of the model is constructed and provided with a system of vents. A wax skin the thickness of the desired bronze is then spread over the inside of the mold, and the core is filled up with plaster. Then the wax is melted away through the vents, and molten bronze poured in. When the bronze cools, the mold is broken away, the vents filed off, and the whole piece polished and colored...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

...estate, the approved tone of most contemporary sculpture. But Frink's ostensible purpose has nothing to do with moral messages or with ideals of any kind, not even plastic ones. "Somebody makes a metal armature for me," she explains, "and I start covering it with quick-drying plaster. I work very fast, often trying to combine the form of a bird with the form of a man. I'm absorbed in forms. When I do a bird, it's not a bird to me, but the form of a bird. Not that there is any right form...

Author: /time Magazine | Title: Art: Blue Britons | 12/14/1959 | See Source »

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