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...dedicate the new Eisenhower Memorial Museum. Ike himself was surprised at the number of people who waited along highways and streets to catch a glimpse of him. On a tour of the old Eisenhower home he was visibly annoyed when he saw that tourists had gouged pieces of plaster out of the house's walls as souvenirs...

Author: /time Magazine | Title: National Affairs: From Boston to Abilene | 11/22/1954 | See Source »

TIME'S April story concluded: "Last week the doctor chipped off a plaster cast that had held Grace Kim prisoner for nearly five months. Grace, he said, would limp for a long time to come, but eventually she would walk normally. As for her foster son, his back is still in a cast, but growing stronger every...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 15, 1954 | 11/15/1954 | See Source »

...blow struck, they were closed now and could mirror nothing. Her face was not distorted at all; it was in remarkable repose considering how she died. But the wounds on her forehead and cheeks were too numerous and too gaudy, like the wounds of St. Sebastian in the cheap plaster statues seen in the churches of little Italian towns. Marilyn's slayer was an extravagant slayer, wasteful of blows...

Author: /time Magazine | Title: The Press: So Lovely & So Bruised | 11/15/1954 | See Source »

...longtime bane of French Catholic churches, known as industrie de St.-Sulpice, is on the way out. The industry: mass production of plaster images of the saints, which look like refugees from a candy factory. For decades, they have been sold in great quantities by the supply stores that ring the church of St.-Sulpice in Paris' Latin Quarter. The figures invariably have red and blue garments with gold and silver borders, and piously uptilted blue or brown eyes. As decoration they may be innocuous, but as objects of veneration they are absurd...

Author: /time Magazine | Title: Art: The Salon & the Industry | 11/1/1954 | See Source »

Eventually Orozco got his paint-holding plaster and by 1934 Dartmouth got its far-famed murals. These freezes, which cover over three thousand square feet of wall space, depict the Aztec legend of Quetsalcoti, the Great White Father both modern counterpart...

Author: By William W. Bartley iii and Jack Rosenthal, S | Title: Dartmouth A Lonely Crowd | 10/23/1954 | See Source »

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