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...taking the sun. One of his legs was off at the knee. Inside, his son and daughter-in-law lived with their nine children in two rooms. The eldest girl had just borne an illegitimate baby. Tattered cotton coverlets lay in disorder on the only three beds. Chunks of plaster had fallen from the walls, exposing the laths. There was no heat; water came from a faucet in the yard. The young Negro wife giggled in embarrassment, twiddled the wick of the oil lamp that furnished the only light...

Author: /time Magazine | Title: THE CONGRESS: Inspection Trip | 5/2/1949 | See Source »

...that Diego Rivera's picture for Rockefeller Center's RCA Building, The Crossroads, with Lenin uniting the workers, was "reduced to plaster dust." If that is the case, then it has been beautifully reassembled . . . for it can be seen in the Palace of Fine Arts, Mexico City ... A sizable amount of "dust" to be moved about, or did Rivera paint the same mural again for our neighbors to the South...

Author: /time Magazine | Title: Letters, Apr. 25, 1949 | 4/25/1949 | See Source »

House cleaning one morning, Mrs. Arthur Martin of Syracuse, N.Y. dusted the plaster statue of St. Anne a little too hastily: it toppled from the window ledge into the cement driveway below and broke into pieces. It was swept up and dropped in an ashcan and there the eldest of the Martins' four children, a lively, questing, eleven-year-old named Shirley Anne, found...

Author: /time Magazine | Title: MANNERS & MORALS: St. Anne's Tears | 4/25/1949 | See Source »

Sculpture is thankless work these days. Private collectors and museums can seldom afford it, public buildings do without it; even Roman Catholic churches, which supported Western sculpture for centuries, now generally buy mass-produced statues of painted plaster (TIME, Jan. 17). The wonder is that sculptors keep going, and manage to chip out such new works as were shown at Manhattan's Whitney Museum last week...

Author: /time Magazine | Title: Art: Swooping & Floating | 4/25/1949 | See Source »

...Better Future." To Rivera, the "Crossroads" were capitalism and Communism, so he painted a mural contrasting Wall Streeters on a binge with Lenin uniting the workers. The Rockefellers said Lenin must go: Rivera thumbed his nose. In the end the Rockefellers had the fresco reduced to plaster dust...

Author: /time Magazine | Title: Art: The Long Voyage Home | 4/4/1949 | See Source »

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