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...what pleased the Prix de Rome jury did not entirely please Mrs. Hailman. Sculptor Keren's classic nudes, she thought, could not gracefully wear those Indian names. So last week before he departed for Rome young Sculptor Koren gave his figures something else to wear. In plaster he added breech clouts to each, crowned each with a feather headdress. Said...

Author: /time Magazine | Title: Art: Three Rivers | 9/19/1938 | See Source »

Regardless of theories, however, all contemporary anthropologists agreed that early man differs from anthropoid apes in posture, brain case and teeth. Plaster casts of skull interiors usually reveal faint lines made by convolutions of the brain. These are more developed in man than in ape. When chewing, the ape moves his jaw straight up and down. Man rotates his jaw. Hence there are decided differences between ape and man in the size and shape of their teeth, particularly the molars. Prehistoric human skeletons which anthropologists have pieced together demonstrate these differences in one respect or another. While possessing many apelike...

Author: /time Magazine | Title: Science: Old Men | 9/5/1938 | See Source »

...something better. The horseplay stage of the controversy then began. Old Newshawk Pegler played ball with the boys by posing for photographs in an artist's smock and beret. Sculptor Bufano made a scornful sketch of Sculptor Pegler's statue. Finally completed last week and cast in plaster, Pegler's model was shipped to San Francisco. It was called "Mrs. George Spelvin" and included a cornucopia, a gear wheel and an unexplainable mouse...

Author: /time Magazine | Title: Art: San .Francisco's Saint | 8/29/1938 | See Source »

That Artist Ferren's new, colorful pastels thus differed from the "flat" school of abstract painting is traceable to his training. A pleasant young man with brown hair and a bright orange mustache, John Millard Ferren, 33, started as a sculptor in 1926. He learned plaster casting in a Los Angeles plaster factory, tombstone cutting in San Francisco. As aids to the problems he was trying to work out in stone, he found himself covering sheets of paper with abstract drawings. In 1930 he began to paint, in 1931 worked his way to Paris, where he found a market...

Author: /time Magazine | Title: Art: American Abroad | 8/29/1938 | See Source »

...make a moulage (reproduction of perishable evidence, such as outdoor footprints, with plaster casts...

Author: /time Magazine | Title: Education: Crime Seminar | 8/15/1938 | See Source »

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