Word: plastering
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...form a smooth wall covering, painting it while still wet with wet pigments in extremely delicate and elaborate designs. From that day to this, however, the skill of the fresco painter has depended largely on his speed, because the time limit for doing any section of wall before the plaster gets too dry to absorb colors has never been more than 24 hours. Artists familiar with centuries of failures to extend this limit were electrified last week at a report from Mexico City that a way had been discovered to keep plaster fresh for nearly two-and-one-half days...
...shared her interest in experiments at keeping frescoes fresh. First sign of success in their collaboration came when they used a spray of glycerine, lime, marble dust and water. But no matter how little glycerine they used it would appear later in small beads on the surface of the plaster. Then they tried butyl alcohol (butanol) with the same ingredients. This worked, but made the plaster surface too soft to work on. The final formula was the simplest: equal parts of butanol and water. Muralist Rivera, pleased as Punch, confirmed their claim that spraying walls with this preparation every three...
...bank, charging in substance that he had used his position as Anglo president to wangle profits on the side for himself. This was the suit which last fortnight came to trial on the third floor of San Francisco's post-office building in the marble and plaster-cupid encrusted courtroom of Federal Judge Adolphus Frederick St. Sure...
...space that Muralist Marsh has long itched to fill is the 30-year-old dome of Manhattan's Custom House, as fine a public expanse of plaster as any frescoer could itch for. He prepared a series of eight sketches, showing scenes of a liner (Queen Mary) entering New York Harbor, taking the pilot aboard, warping into her pier, discharging freight...
...Antonio, Tex. last week rumbled one of the last vans full of plaster and clay models of sculpture by Mountain-Carver Gutzon Borglum, who closed up his studio and left Texas for good last month after the contract for San Antonio's greatest memorial, the Alamo Cenotaph, was awarded not to him but to pudgy Sculptor Pompeo Coppini. During the twelve years he called San Antonio his home, big-eared, irascible Sculptor Borglum never finished a Texas job. A hater of cheap politics since the fiasco of his Stone Mountain project in Georgia, Borglum's wrath at Texas...