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...candidate for Governor of Maryland, hurried off to attend a meeting of his campaign finance committee at the home of a Baltimore banker. In the banker's dark and unfamiliar garden, Candidate Nice toppled down a short flight of stone steps, fractured his right arm. Arm and shoulder in plaster cast, he continued to campaign...

Author: /time Magazine | Title: People, Oct. 15, 1934 | 10/15/1934 | See Source »

Faculty members need have no fear of plaster falling into the midst of one of their assemblies, for workmen have spent the summer renovating University Hall, and the patched and cracking ceiling of the Faculty Room exists no longer...

Author: NO WRITER ATTRIBUTED | Title: Summer Work Makes University Hall Clean and Safe for Many More Years of Intellectual Activity | 10/4/1934 | See Source »

Whatever talents as an actor Henry Cabot Lodge's grandson may have are set off to poor advantage by the picture. A tedious hyperbole in which Director Josef von Sternberg achieved the improbable feat of burying Marlene Dietrich in a welter of plaster-of-paris gargoyles and galloping cossacks, it seems all the more inadequate by comparison with Elizabeth Bergner's Catherine the Great...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 3, 1934 | 9/3/1934 | See Source »

...Fashion Group last year. "Men are already ugly enough in them without having women wear them." But Mme Schiaparelli gave women practically everything else, including dresses made of cellophane and rubber, collars of china, gadgets designed from harness. One of her best textile designs grew out of some plaster and netting she picked up in a rubbish pile. In her crusade for sharp, dramatic line ("skyscraper silhouet") Mme Schiaparelli persecutes the button with morbid zeal, has substituted all manner of gadgets in place of it, including metal coat fasteners in the shape of dollar signs...

Author: /time Magazine | Title: Business: Haute Couture | 8/13/1934 | See Source »

Last week Manhattan's Museum of Modern Art proudly put on exhibition its latest acquisition?a huge steatopygous torso of a woman labeled COLOSSAL (see cut). Dwarfed visitors marveled at its 53-in. bust measurement, its triumphant pose, its defiant backflung elbows, the rhythmic convolutions of its tinted plaster surfaces. Gift of Edward M. M. Warburg, the torso was one more of the vasty works of Gaston Lachaise, whom many a critic rates among the top-notchers...

Author: /time Magazine | Title: Art: Colossal | 7/23/1934 | See Source »

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