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...were such names as Jean Chariot, Carlos Merida and Pachecho. Their water boy and official brush washer was Miguel Covarrubias, now a highly paid smartchart caricaturist. Artist Orozco meanwhile was experimenting with the medium that was to bring him his greatest success: true fresco, painting in tempera on wet plaster so that the design becomes a part of and not an application to the wall. In 1929 the political explosion that brought death to thousands of Mexican soldiers landed Artist Orozco in New York where he was adopted wholeheartedly by Miss Alma Reed, operator of the since defunct Delphic Studio...

Author: /time Magazine | Title: Art: Wall Man | 10/13/1930 | See Source »

...Mexican art circulated by the Carnegie Institute and the American Federation of Arts, sponsored by ex-Ambassador Dwight Whitney Morrow and Dr. Frederick A. Keppel. Artist Orozco himself is further downtown squatting on a scaffold in the new School of Social Research, painting great swirling designs on wet plaster with a very small brush. Beside him his master plasterer and assistant Juan Jorge Crespo, prepares the wall for Orozco to paint, two square yards at a time. "Fresco painting," explained Artist Orozco, "has much to do with the time of day. If I start one piece...

Author: /time Magazine | Title: Art: Wall Man | 10/13/1930 | See Source »

...statue was so close a likeness to the illustrious forbear whose weather beaten bronze presides over the old quadrangle that watchers were convinced that the original had been removed from his pedestal to participate in the event. The imitation, undoubtedly formed of plaster, was painted in the exact colors of green and grey which are seen on the original. Of the many features in the parade, which encompassed 40,000 participants, none aroused more comment than the amazing likeness of the founder of the University...

Author: NO WRITER ATTRIBUTED | Title: HARVARD'S 295TH YEAR OF EXISTENCE COMMENCES TODAY | 9/18/1930 | See Source »

...unemployment. With him were Assistant Secretary of the Treasury Ferry K. Heath in charge of such construction and Fourth Assistant Postmaster General John W. Philp. The President's mind was full of the new buildings which would soon replace the temporary Wartime structures of plaster board and stucco in Washington which now house many a potent Government agency, many a precious record. Thoroughly familiar was he with the old warning that these 12-year-old "shacks" were the worst kind of firetraps...

Author: /time Magazine | Title: THE PRESIDENCY: The Hoover Week: Sep. 8, 1930 | 9/8/1930 | See Source »

When Chicagoans trooped down to the South Side to witness the wrigglings of Fatima ("The Seventh Daughter of the Seventh Daughter") on the Midway, to gasp at gorgeous pyrotechnic displays, to parade through the handsome plaster buildings of Messrs. McKim, Mead & White at the Columbian ("World's Fair") Exposition, Reporters Lillie West Brown and George Ade shared a desk in the city room of the Chicago Daily News. Reporter Ade rose to be a special writer, then dramatic editor, then conductor of a column, finally a free-lance humorist (Fables in Slang) and playwright (The Sultan of Sulu...

Author: /time Magazine | Title: Theatre: Chicago's Amy | 9/8/1930 | See Source »

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