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Still, if Claes Oldenburg dribbled sticky floods of enamel over his hamburgers and plaster cakes in the '60s. he did so in homage to Pollock. If a sculptor like Richard Serra made sculpture by throwing molten lead to splash in a corner, or Barry Le Va scattered ball bearings and metal slugs on the floor of the Whitney Museum, the source of their gestures was not hard to find. Distorted traces of Pollock lie like genes in art-world careers which, one might have thought, had nothing to do with his. Certainly Pollock scorned decor. He was not interested...

Author: /time Magazine | Title: Art: An American Legend in Paris | 2/1/1982 | See Source »

...Architect Robert Mathews of Welton Becket Associates began by "unbuilding" the interior. The task was complicated: the original building plans had disappeared over the years. Assembling old photos, early Sears catalogues and newspapers for pictures of authentic decor, "historians found some clues right in the building-a bit of plaster under the assembly speaker's podium became a model for the style of the ceiling molding. Girvigian, scrambling through false ceilings, uncovered keys to the original paint job. Researchers used aerial cameras to map the mosaic floors, which were then taken up, moved and cleaned. Piece by numbered piece...

Author: /time Magazine | Title: Design: Cheers for a Born-Again Capitol | 1/18/1982 | See Source »

...pages; $12.95) by Lester Glassner and Brownie Harris. Lovingly assembled by a five-and-ten freak and movie junkie, this compendium of glittering gimcracks from the '30s and '40s provides a deep wallow in nostalgia. Among the glories of Woolworthlessness are cutouts of Carmen Miranda with the plaster-banana wall plaques she inspired, a Charlie McCarthy paper doll "with movable mouth," and a lurid World War II poster of a starlet straddling a bomb inscribed TOKYO EXPRESS...

Author: /time Magazine | Title: Books: Treasures of Art and Nature | 12/14/1981 | See Source »

...staggered away from the "Whizzer" and stumbled into the line for "The Demon." This ride seemed a more conventional roller coaster with a hill, a turn, a rise, a dip, none of which looked terribly menacing. But as the line snaked its way around a plaster mountain placed there for atmospheric effect, "The Demon's" devilish aspects revealed themselves. I had seen the tame initial drop; I had not seen the loop that towered over the fake mountain. My first inclination was to leave the line, but embarrassment is a powerful force. I stayed put. A few minutes later...

Author: By Burton F. Jablin, | Title: Holding On For Dear Life | 9/30/1981 | See Source »

...equally gripping scene at the end of Raiders of the Lost Ark shows Toht, the German villain (Ronald Lacey), dissolving into a puddle. How did Makeup Man Chris Walas do it? He began by taking a life mold of the actor's face. From that he made a plaster skull, which he covered with layers of chilled gelatin. When it came time for Toht to melt away, a heat gun-a super hair dryer-was turned on and the gelatin began to drip. So ended that particular Nazi menace...

Author: /time Magazine | Title: Show Business: Wizards of Goo and Gadgetry | 8/31/1981 | See Source »

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