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...only fair to hail Harris as an acoustics virtuoso. Harris' secret, if it can be called that, is to stick as closely as possible to classic European models like Vienna's Grosser Musikvereinssaal. That means a rectangular shape, plenty of wood and plaster, no concrete or vinyl, and a minimum of carpeting and plush upholstery on chairs. Harris has made his chairs of oak and carefully tested foam cushions. He has even installed individual lockers in access corridors to encourage dowagers to leave their fur coats outside the music-making area...

Author: /time Magazine | Title: Music: Minneapolis Opening | 11/4/1974 | See Source »

...tireless, polite young buttonholers who spend weeks offering people free tickets. Invest $300,000 on publicity for the one-night stand-far more than Billy Graham has ever spent for an eight-day crusade. Along with the radio and TV spots and full-page newspaper ads, plaster posters of the smiling preacher on all conceivable wall space...

Author: /time Magazine | Title: Religion: Moon Landing in Manhattan | 9/30/1974 | See Source »

...propaganda. The results, strung through exhausting miles of galleries and culminating in Raphael's stanze and Michelangelo's Sistine frescoes, fill the Vatican Museum. But this lofty tradition of patronage ebbed away, and by 1900 most official religious art was stranded in a sludge of gaudy plaster piety. With the exception of the gloomy Georges Rouault, not one significant modern artist has built his imagery round doctrinal religion and its themes. There were some fitful bouts of church patronage: Matisse's chapel at Vence, Corbusier's at Ronchamp. But on the whole, the old symbiosis...

Author: /time Magazine | Title: Art: Labyrinth of Kitsch | 8/5/1974 | See Source »

...reporter goes back to his seat. It's the third night for Jobriath and his lead-in act, Sweet Pie; the Performance Center is half full. The stage is set with lucite/chrome drums, a piano, and various microphones. Stage-rear--for no apparant reason at all--stand three plaster choir boys, cherubic and smiling. The lights 'dim, and a body walks on. It's a man dressed in a morning coat, sandles, sunglasses, hat, and G-string. Period. Sweet Pie holds up an "Ike/Nixon '54" button: "This just shows there were things queerer than me a long time...

Author: By Michiko Kakitani, | Title: Glitter, Glitter, Toil and Titter | 7/26/1974 | See Source »

...show of weavings, quilts, masks and printed textiles. The works are the products of a seminar on the textile traditions of Native America and include both ancient and modern interpretations of centuries-old techniques and designs. While you're there don't forget to stop and see the original plaster cast of the clasped hands of Elizabeth Barret Browning and Robert Browning made by Harriet Hosmer...

Author: NO WRITER ATTRIBUTED | Title: GALLERIES | 7/23/1974 | See Source »

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