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...Bayreuth, Wagner's grandson Wolfgang was up. to his old tricks: stripped down, sparsely lighted productions designed to free the stern old gods of Valhalla from heavy, cardboard-shield and plaster-throne cliches. But by now, this once revolutionary style has produced some bothersome clichés of its own. The basic stage set of last week's Ring was an eight-ton, segmented concave disk looking somewhat like a huge radar antenna. In the second and fourth Rheingold scenes it was used intact, tilted toward the audience to suggest the rugged slopes of Wotan's mountain...

Author: /time Magazine | Title: Music: Valhaila & Mozart's Tomb | 8/8/1960 | See Source »

...uniformed guards. Gehlen's own headquarters are separately enclosed by a steel fence, and his paneled, second-floor office contains only one symbol of his profession: a box of cigars labeled Geheimdienst (Secret Service). (In Washington, Allen Dulles also keeps a gag prop on his desk-a plaster statuette of a man with a cloak and dagger...

Author: /time Magazine | Title: ESPIONAGE: Der Doktor | 7/11/1960 | See Source »

...Faction for Action." Like many utopias before it. Washington Square Village fell short of its promise. The "carports" and "self-contained shopping" promised in the brochure failed to materialize. Ten ants complained of "tinny" stoves, faulty airconditioning, erratic elevators, bugs in the basement, cracks in the plaster, rips in the corridor wall covering...

Author: /time Magazine | Title: CITIES: The Best of Everything | 6/6/1960 | See Source »

Danger is Stirling Moss's obsession. In his long companionship with peril he has driven a racing car with one leg in a plaster cast. He has sped around curves while nearly blinded by glass fragments in his eyes. His crash helmet has been dented by a rival's car hurtling just over his head. And it is mostly because of his fascination with danger that Britain's Moss, 30, is by common consent the world's fastest driver...

Author: /time Magazine | Title: Sport: Danger's Companion | 5/30/1960 | See Source »

...modesty was becoming. During the construction of Rockefeller Center, he resisted all efforts "to plaster the family name all over a piece of real estate." gave in only on the urgent pleas of his five sons. When his father died at 97, he refused to drop the "Junior" from his name, because, he said, there could never be more than one John D. Rockefeller. Just as there never can be another John D. Rockefeller...

Author: /time Magazine | Title: PHILANTHROPY: The Modest Visionary | 5/23/1960 | See Source »

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