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...Rose, which was built in 1587. The team stumbled onto chalk foundations, sloped mortar flooring and, most astonishingly, the base of the stage 6 ft. below the ground. From the debris, scientists have determined that the Rose was a small polygon-shaped theater, just 43 ft. in diameter, with plaster walls and a thatched roof. Viewers sat in tiered galleries or stood in a pit in front of the stage. Among the rubble was a layer of hazelnut shells, possibly the medieval audience's version of popcorn...

Author: /time Magazine | Title: Science: To Build or Not to Build | 5/29/1989 | See Source »

This extraordinary history of the French Revolution begins with a three- story-high plaster elephant standing guard in the Place de la Bastille. Commissioned by the triumphant Emperor Napoleon, eventually to be recast in the bronze of captured cannons, the elephant was designed to make Parisians forget their revolutionary past and dream of an imperial future. Its real destiny -- like the question of what to remember -- proved quite different. "By 1830, when revolution revisited Paris, the elephant was in an advanced state of decomposition," writes Harvard historian Simon Schama. "One tusk had dropped off, and the other was reduced...

Author: /time Magazine | Title: Books: The Rhythm of Retribution | 4/17/1989 | See Source »

...demanded that MOMA mount only black-and-white photographs of his work because he believes color photos encourage an appreciation of the merely picturesque in architecture. He insisted that some of the walls of the gallery be covered with rough plaster, like many of Holl's own interiors. And he demanded that certain salient details -- a basswood-and-airplane silk screen from a Manhattan apartment, for instance -- be built right into the exhibit's walls. Fortunately, the museum indulged him: the result (on display together with a handsome exhibit of Emilio Ambasz buildings) is the liveliest MOMA architectural show...

Author: /time Magazine | Title: Design: A Dreamer Who Is Fuzzy About the Details | 3/20/1989 | See Source »

...moon is essentially grey, no color. Looks like plaster of paris, or sort of a greyish deep sand . . . The Sea of Fertility doesn't stand out as well here as it does on earth. There's not as much contrast between that and the surrounding craters. The craters are all rounded off." Astronaut James Lovell skimmed less than 70 miles above the lunar surface as he gave that matter-of- fact first impression of the earth's great, ghostly satellite. Lovell waxed more metaphoric as he described the great blue ball, 233,000 miles away, that he, Frank Borman...

Author: /time Magazine | Title: Space | 2/2/1989 | See Source »

...turns out the way I think it will, there will be nothing like it," Trump said as he took a reporter on a tour of the possibilities about a year ago. The sun streamed in on a scene of chaos. The walls were bare plasterboard. Plaster dust powdered the new bronze window frames. Wires dangling from the ceiling barely hinted at the chandeliers that Trump envisioned. But Trump sounded rapturous about the workmanship on a newly installed door. He gently shut it and opened it again. "Look how it fits," he said...

Author: /time Magazine | Title: Flashy Symbol of an Acquisitive Age: DONALD TRUMP | 1/16/1989 | See Source »

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