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Word: plasticity (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...something of a guru to the group. Irwin's own works are illuminated disks set against a white wall. Others in the group vary widely but are united by a common dedication to "cool" materials far divorced from the conventions of oil paint and bronze-plastics, neon, acrylics, Plexiglas, aluminum. They also share a preoccupation with a visual illusionism that plays with space and color to make the eye see beyond the surface of the work, perhaps inspired by the clear, bright light of Southern California (on its non-smog-gy days). The result, if not so divergent from...

Author: /time Magazine | Title: Artists: Place in the Sun | 8/30/1968 | See Source »

...Plastic Bats. The show is far more dramatic in production than any of its competitors. Producer Robert Costello splices in occasional exteriors filmed on location, employs more than 100 sets in the show's Manhattan studio, com pared with the 30 or so on most soap-ers. Instead of the customary organ stings to punctuate the drama, he uses bridges recorded by an orchestra of 23 pieces...

Author: /time Magazine | Title: Programming: Ship of Ghouls | 8/30/1968 | See Source »

...Internal Revenue Service probably does not know what to make of Bill Drake. How can he run a multimillion-dollar radio consulting service out of his home in the Bel Air section of Los Angeles? And that inflatable plastic armchair and the swimming pool in which it floats - are they taxable as luxuries or deductible as an executive suite...

Author: /time Magazine | Title: Programming: The Executioner | 8/23/1968 | See Source »

...Plastic Voices. Understandably, with such a lucrative thing going, Drake tries to be as mysterious as possible about his technique. The basic rule is summed up by the promotion jingle of several of his clients - "Much More Music...

Author: /time Magazine | Title: Programming: The Executioner | 8/23/1968 | See Source »

...when most U.S. rock jockeys are screaming egomaniacs, Drake advises his stations to end the cult of nonstop talkers. Even Murray the K, the nation's best known jock, was forced out shortly after Drake's firm moved in at WOR-FM in Manhattan. Murray, noting his "plastic-voiced" successors and their less adventurous choice of records, predicted disaster for Drake. But in the eleven months since, Drake has doubled the ratings and put money-losing WOR-FM in the black...

Author: /time Magazine | Title: Programming: The Executioner | 8/23/1968 | See Source »

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