Word: plasticity
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Dates: during 1990-1999
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...companion heads to the restroom (where the vending machine dispenses 50-cent plastic spiders), the Vampire Lestat on the stairwell wall will be more than enough company. However, the garlic content of the Tequila Lime Crawfish ($10.50) will keep such evils...
...wish she lived back in Beverly Hills, because she loves the camera," says Mr. Blackwell, the famous arbiter of fashion disasters. "Beverly Hills would be more suitable for her because it's a more plastic area." Monica is essentially a feline, Mr. Blackwell says. "She loves cleavage, bust lines, scoop necks, legs, the whole scene." And thank God, says he, she got rid of those dreadful bangs...
...first song on singer-songwriter Ani DiFranco's new album, Little Plastic Castle, starts off with a jolt. We've come to expect shocks from DiFranco--she's a rock maverick, a singer who owns her own label (Righteous Babe Records of Buffalo, New York), who refuses to sign to a major record company and who performs often raucous punk-folk songs about music-industry greed, abortion and her own bisexuality. DiFranco is so fiercely protective of her work that she was miffed when a recent cover of one of her songs, 32 Flavors, by newcomer Alana Davis added...
Both the music and the words on Little Plastic Castle seem unfettered and fluid. There's a jokey, poetry-slam freedom to DiFranco's lyrics here that is reminiscent of some of Bob Dylan's freewheelin', socially conscious early work. In one song, Fuel, DiFranco starts off with a pointed political observation--"They were digging a new foundation in Manhattan/ and they discovered a slave cemetery there/ may their souls rest easy now that lynching is frowned upon/ and we've moved on to the electric chair"--and then shifts easily to an image of digging deeper to uncover cultural...
DiFranco takes another chance--one that works--on Pulse, a sliding, slippery jazz-folk number that stretches on for 14 minutes. On the whole, Little Plastic Castle is a sharp, indulgent, fascinating album, the kind that an artist can probably release only when he or she owns the record company. Let's hope DiFranco never signs with anyone but herself...