Word: plath
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Dates: during 1980-1989
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...looks back, Wilbur acknowledges that he often worked at odds with evolving fashions. He did not pick up the rhythm of the Beats or the lacerating self-display of such confessional poets as Sylvia Plath. "It just comes naturally to me to work in meters, rhyme, stanza forms. There were times when it seemed dreadfully stuffy, in some sense reactionary, to write in that manner. I have no case against any other way of writing. I did what I could...
...body is left standing up behind it, like a pair of empty waders, in the bland spectral light of what appears to be an indoor swimming pool. At such moments Rothenberg's imagery delivers the jolt and reach of feeling one associates with the poetry of Sylvia Plath. She is unquestionably one of the signal artists of our confused time...
Before the settlement ended the trial just prior to her cross-examination, Anderson was an impressive witness in her own behalf, vehemently denying she had ever been a lesbian. "I never, never in any way attempted to seduce Sylvia Plath into a homosexual relationship," she told the court in unwavering tones. Referring to other details in the film, she added, "I also never made any suicide attempts or had scars on my breast. And certainly I never hung myself." Precisely, said defense lawyers, because the character is fictional. "Joan Gilling commits suicide, in the book and the movie...
...fictional characters, from Proust's Baron Charlus to Bellow's Humboldt. An author's weave of truth and invention is difficult to unravel, and never more so than in a semiautobiographical work like The Bell Jar, which was first published in Britain in 1963, just a month before Plath committed suicide. The story of a young woman's descent into madness spoke to the rising women's movement as well as the romantic instincts of the college generation, and when the novel appeared in the U.S. eight years later, Plath became a cult figure...
...Anderson says she quickly recognized herself when she read the book in 1971. She and Plath were longtime acquaintances. They both grew up in Wellesley, Mass.; both went on to Smith College, where at different times they even dated the same man. Both were mental patients during the same five months at McLean Hospital near Boston. Anderson's suit was prompted not by the book but by a scene in the movie that was invented by the filmmakers. It shows a suicidal Gilling making advances to Esther Greenwood, the fictional Plath. On the stand, Anderson said she found the seduction...