Word: platinum
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Dates: during 1970-1979
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TRADE. Soviet-American trade has jumped from $200 million in 1971 to $ 1.5 billion in 1973, with the dollar-ruble balance 7 to 1 in favor of the U.S., which buys Soviet vodka, platinum, diamonds and chrome ore and sells oil-and gas-drilling equipment, machinery and electronic gear, including computers. The Russians have been eager for loans and technological know-how, and so far they have got some of both. Only in May Nixon intervened with the Export-Import Bank to approve a $180 million loan for eight Soviet ammonia fertilizer plants and the attendant gear to move...
...plate in his skull to guard a hole from which a brain tumor had been removed. One of his legs was made of metal and fiber; it took the place of the flesh-and-blood leg his mother had given him in her womb ...In his left arm, a platinum wire took the place of the humerus . . . One hundred years after he died they opened up his coffin. All they found were strings and wires...
...Dunaway, 33, hailed as "the most explosive package of beautiful talent to have hit the stage and screen in years." Faye, whose only sizable screen detonation occurred in 1967 when she starred in Bonnie and Clyde, enjoyed the Cambridge ceremonies: a Faye Dunaway look-alike contest, won by a platinum-wigged male student, and a couple of numbers from this year's revue, Keep Your Pantheon. Later she gushed: "These Harvard guys are wonderful, and they play it straight...
Twenty-five years ago, Carol Channing first enchanted Broadway as Lorelei Lee, the platinum-haired, platinum-headed blonde who gave the world the Little Rock wisdom that diamonds are a girl's best friend. That was in Gentlemen Prefer Blondes, the musical hit that made her an instant star. It may be too late to revive that show, which never laughed quite hard enough at itself, but Lorelei is a particularly tawdry retread. Jule Styne has added a few routine songs; and the book, originally by Anita Loos and Joseph Fields, has been updated by Kenny Solms and Gail...
...effects as he could with different brush strokes on oil, tempera or water color. Like the painter, the photographer produces these results with varied techniques and the Fogg exhibit investigates them. Here we have a chance to see and compare the daguerreotype and the calotype, photogravure and gum-biochromate; platinum, palladium and cyanotype. I don't know the chemistry or history behind all these processes, but in this exhibit ignorance is not a hindrance to understanding. The photographs--with their similarities and contrasts--make all the necessary explanations of style...