Word: plautus
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Dates: during 1970-1979
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...which Rubens based squarely on his study of classical art. As a young man in Rome, he made a sketch of every antique marble he could lay eyes on. His vast correspondence shows that he had read and memorized work by almost every known Latin writer, from Cicero to Plautus. He recommended "a complete absorption in statues," but "one must avoid the effect of stone." Rubens' large altarpiece, still in Antwerp Cathedral, of the Descent from the Cross, 1611-14, demonstrates exactly what he meant. The figure of Christ, the pale, dead God sliding down the cross into...
Adapter-Director Burt Shevelove and Composer-Lyricist Stephen Sondheim have teamed up to employ Aristophanes as a springboard for the sort of romping farce that they achieved together with a Plautus original in A Funny Thing Happened on the Way to the Forum. The result this time, while thoroughly amiable, is more tentative and less hilarious, chiefly because the Aristophanic model does not offer as robust comic material as the Plautine...
Indeed, upon inspecting Segal's Roman Laughter, a study of the Roman Plautus, one finds in the very first paragraph of the Introduction, a brief put-down of all the "serious" scholars who find Plautus insignificant...
...begun to recover from the emotional shell-shock resulting from everyone's over-reaction--including his own. After all, his persona scholastica does include a Guggenheim Fellowship, nearly two dozen articles and reviews, a collection of essays on Euripides, Roman Laughter, the first study in English devoted entirely to Plautus--Rome's first comic playwright--as well as English translations of Plautine comedy. An extensive treatise on Terence, a kind of sequel to Roman Laughter, remains unfinished as Segal develops new insight from recent findings of the Greek playwright Menenader which may place the whole of Greco-Roman comedy...
...Plautus novam fabulam dat." Wise woman. The old dramatic farceur manufactured situations that have kept audiences laughing for 23 centu ries. This is not news on New York's Via Magna Alba. Ten years ago, Burt Shevelove's and Larry Gelbart's free adaptation of Plautus' plays convulsed playgoers for 964 performances. At that time Zero Mostel pranced onstage like an elephant with a hotfoot in the star ring role of Pseudolus, a slave with a passion for freedom as avid as that of all 1 3 original colonies. He was gloriously funny, and in this...