Word: play
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Dates: during 1930-1939
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...neutrality, every U. S. citizen last week could feel, if he could not see, the vital, life-&-death issue: peace or war. To the great oratorical fugue about to start in the Capitol, never had there been a more unanimously attentive audience. The man who will play the counterpoint in that fugue, his eyebrows now white with time, sat brooding in his hideaway, now and then napping on a creaking old black-leather couch. Borah was ready for the fight of his life. The odds were against him but no man could yet say that he had lost...
...silver-spoon and rusty-putter golfers in all corners of the U. S. strove for the 171 places in last week's entry list at Chicago's North Shore Country Club. The National itself is one of the toughest grinds going-two qualifying rounds of medal play to cut the field to 64, four rounds of 18-hole match play to determine the semifinalists, then 36-hole semifinal and final matches. Bobby Jones, who won it five times, used to call the National Amateur a nightmare. One flubbed iron, one balky putt, and the ruling champion often finds...
...unheard-of margin of 12 up. This spring he lambasted most of the pros in the business in the National Open, got upset when one of his iron shots cold-cocked a spectator, missed the big triple tie for first place by one stroke. Before last week's play started, 15 of 17 New York aspirants thought he would win. So did Bobby Jones...
Lacking the gutty foreignness that flavored the Odets play and disguised the too-literal symbolism of its situation, Golden Boy is saved from sinking into a slow-moving dialect melodrama chiefly by the freshness of its new male star. Curly-topped, ingenuous-looking Actor Holden was picked from Paramount's roster by Director Rouben Mamoulian, who, after testing hundreds of candidates for the Golden Boy role, chanced to see Holden in a screen test for another picture. Most surprising fact uncovered by Columbia's publicity department about Actor Holden, born William Franklin Beedle Jr. 20 years...
While U. S. correspondents in Europe's capitals were wondering how to get news back to their papers (see col. 3), at home their editors were pondering how to play what news they got. Two conflicting impulses made the U. S. press sound like a man arguing with himself. One was a voice of passion urging him to show his indignation over Führer Hitler's aggression. The other was a voice of reason counseling detachment to keep...