Word: play
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Dates: during 1940-1949
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Racing against a November deadline on a play about The New Yorker magazine that he started writing nine years ago, Humorist James Thurber was "midway through the second act for the 28th time" when he got some news: another producer was putting on another playwright's comedy about the same magazine...
...next two seasons Joe Barbao tried to get the Pirates to watch Stan play. A Cardinal scout got there first. Although he was shy about most things, 17-year-old Stan had seen enough poverty to be hardheaded about money, and he signed the contract with misgivings: the Cardinals had a reputation for paying their help poorly. In 1938, when the late Judge Landis decreed that 91 Cardinal farmhands (including Musial) were free agents, Stan sat back again and awaited a call from Pittsburgh. Instead he had a personal visit from Eddie Dyer. After a long apprenticeship as a minor...
Marion's bad back worries Eddie Dyer as much as the team's hitting and pitching. If all three stay in the groove, Dyer's only worry will be which American League club-the New York Yankees or Boston Red Sox-they will play in the World Series. Naturally, Dyer hopes it will be New York because the park there holds twice as many cash customers as Boston's, and that means the fattest possible World Series cut for the manager and his players...
...play itself (which Eliot charted last year with complex blackboard diagrams at Princeton's Institute for Advanced Study) marked his departure from Greek myth and medieval legend. Set in a modern London flat and a psychiatrist's Harley Street office, it contained social chitchat, a bawdy ballad and a couple of interlocking triangles. But, true to form, devout Anglo-Catholic Eliot had underlaid his comedy with sober Christian dialectic. First-nighters at the Edinburgh Festival could note that Eliot's psychiatrist and patients acted and talked more like a parson and his parishioners...
...approach...is a firm and disciplined one. He takes no nonsense from a piano. He sits erect before the instrument and in full command of it. His wrists are rigid and his bony fingers strong and sure...Not only does he play such numbers [as the Paderewski Minuet in G] completely and correctly, seldom if ever missing or muffing a note, but he evidences keen insight into the composer's intent by subtle shadings of interpretation...[When] he tackled a bit of Chopin...I was downright floored. I knew he played well-but not that well...