Search Details

Word: play (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...questions which remain in the minds of the audience constitute the power of the play. Angel City provides food for thought, and Kupferberg's production is worth seeing...

Author: By Joe MARTIN Hill, | Title: Angelic Metamorphoses | 12/15/1989 | See Source »

...final member of the cast is Sax (Henry Dormitzer). Sax provides the well-integrated music of the drama; although he doesn't contribute to the dialogue of the play, his musical performance is vital to the production. It was Shepard's intent to create an indefinite college effect with both characterization and music, and Kupferberg's direction and Dormizer's music achieve this goal admirably...

Author: By Joe MARTIN Hill, | Title: Angelic Metamorphoses | 12/15/1989 | See Source »

Through interesting plays on the perspective of the audience at the end of the play and with lines such as Rabbit's "You can't mix real life with the movies," the audience is left to ponder with which characters they identify...

Author: By Joe MARTIN Hill, | Title: Angelic Metamorphoses | 12/15/1989 | See Source »

Furthermore, the editors seem to assume that Harvard students confine their social and extracurricular lives to the houses in which they live. Of course houses play a significant role in the lives of students. But we can and do interact with people outside our assigned houses--in classes, clubs, and other houses...

Author: By Mark J. Sneider, | Title: What's So Bad About Stereotypes? | 12/14/1989 | See Source »

...addition, the editors seem to feel that stereotypes play the major role in a student's decision to live in a particular house. They ignore the differences in special facilities, location, room size and architecture...

Author: By Philip P. Pan, | Title: What's the Rush? | 12/14/1989 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | Next