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...same week that Swift has a Springsteen-esque seven singles simultaneously in the Top 50 (pop, not country), Carrie Underwood released an album that from outset to coda is a unified attempt to move from the mainstream of Nashville to the mainstream of global pop. Unfortunately, “Play On” is a stilted, forced effort that will fail to satisfy either her country base or the pop fans she aims to reach...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

...Idol” winners are any indication. The key to Underwood’s prior success was that she discarded the vocal theatrics prized by Randy Jackson for solid, conventional country music written by hardened Nashville pros like Josh Kear and Hillary Lindsey. “Play On,” by contrast, features the talents of a murderer’s row of pop songwriters: Max Martin, Savan Kotecha, Chantal Kreviazuk and—now it all begins to fall into place—”American Idol” judge Kara DioGuardi. DioGuardi is partially responsible...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Carrie Underwood | 11/13/2009 | See Source »

...objective to break with a preconceived reality comes from a long line of poetic thought, reaching all the way back to Andre Breton and the origins of surrealism. By breaking with the predetermined images of the world in their accepted states and by embracing the unconscious, which does not play by the rules of reality, artists can shed insight on society in interesting and progressive ways...

Author: By Noël D. Barlow and Eunice Y. Kim, CRIMSON STAFF WRITERS | Title: High Art | 11/13/2009 | See Source »

...times that it’s not, however, do not necessarily indicate the magical effects of drug-induced, or drug-dependent, brilliance. From dissolving the inhibitions of artists to temporarily rearranging their worlds, drugs themselves play something of a placebo role in revealing creative insights...

Author: By Noël D. Barlow and Eunice Y. Kim, CRIMSON STAFF WRITERS | Title: High Art | 11/13/2009 | See Source »

Hallucinogens, on the other hand, have been proven to play a more pivotal role in dictating the direction of an artist’s work. For example, LSD was commonly given to interested test subjects to gauge the drug’s effects and was found to disinhibit normal sensory perceptions, launching the artist into a potentially productive psychedelic experience. These more psychoactive drugs can actually become a type of muse that influence the content of the art, the most famous example of these acid trips being “Lucy in the Sky With Diamonds...

Author: By Noël D. Barlow and Eunice Y. Kim, CRIMSON STAFF WRITERS | Title: High Art | 11/13/2009 | See Source »

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