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...musical is based on Brooks' 1969 film, the story of a Broadway producer and his bookkeeper who discover a scam to make more money with a flop than with a hit. They conspire to put on the worst play they can find, a sentimental diatribe called Springtime for Hitler, written by a lederhosen-clad neo-Nazi pigeon keeper. Unfortunately for the unlikely heroes, Springtime for Hitler is a smash, and they wind up in the can for tax fraud. (Read "What's Wrong with This Spring's Broadway Plays...
...tame for our times. Before coming to Berlin, the show had a 10-month run in Vienna. Originally booked for a year, many performances remained a third empty, and as the economic crisis hit, attendance dropped off. The Admiralspalast saw an opportunity and contracted the Austria cast to play the remaining two months on the German-language license in Berlin. (See pictures of Barack Obama in Berlin...
Once Bitten While Germany has learned the lessons of creative destruction the hard way, the government still believes it has a critical role to play in industry. Just this month, the fate of Opel, the German subsidiary of General Motors, has been at the top of the political agenda. Government ministers are refusing to loan the billions the carmaker says it needs to survive - and even imposing conditions on would-be buyers, which include Fiat. (See the 50 worst cars of all time...
...even as his shows have shrunk, Sondheim casts a long shadow, making it difficult for potential "new Sondheims" to grow. At the same time, globalization has boosted the McMusical: crowd-pleasing, corporate-franchised extravaganzas like The Lion King, which play seamlessly from Peking to Peoria. Sondheim, with his precise relationship with the English language, doesn't travel so well, with the exception of West Side Story and Sweeney Todd. "Amateur companies tell me that when they're doing a Sondheim, that's often the hardest of them to sell," says Lynne Chapman, of the U.K.-based Stephen Sondheim Society. "When...
Jack's final service--his last play, to offer a football metaphor, which he loved to do--was to demonstrate what Reaganism (and, to be fair, Kempism, because Jack was critical to President Reagan's success) was really about: conservatism with a smile, conservatism of multiplication not division, optimism about the future, the best of the old applied to the new. Above all, conservatism appropriately constructed as befit the party of Lincoln...