Word: play
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...weight of the world, the weight of his scenario. That interpretation is very Joycean, because Ulysses is about this complex thing, which is a very crushing atmosphere.” Joyce’s references to Hamlet in his own works also had concrete influences on the play. “There are some surprises I want to keep for the show, but basically, Joyce has a discussion in ‘Ulysses’ that is very subtle about Hamlet being a woman. That was huge,” says executive producer Rachel D. Libeskind...
...Kapusta ’09 succinctly replies “I don’t think so,” an answer unsurprising to anyone familiar with his musical endeavors. During his time at the College, Kapusta has been integral to many musical organizations; his activities have ranged from playing the trumpet in the Harvard-Radcliffe Orchestra to sitting on the board of the Dunster House Opera. A joint Music and Literature concentrator, Kapusta is also one of the few Harvard students participating in Harvard’s joint degree program with the New England Conservatory, which involves a full...
...those parts I was known as the thespian guy,” he says. When Priour heard that about 10 to 20 student-run theater productions are shown every semester at Harvard, he began to seriously consider attending the college. While still a high school student, Priour saw a play for the first time at Harvard, an experience which proved to be surprising. “It was in the basement of Adams and there were two theater lights, and I was sitting next to pipes that were running, and there was traffic right outside the windows...
...Shaket wrote in an email. “If the crowd wants it, I’ll freestyle a bit. If someone wants to battle, they’re welcome to come up on stage and show what they’ve got.” Finally, Leiby will play DJ, mixing together the intro and outro of the performance, combining techno with rap. Arts First will mark the musicians’ first performance together. Banking on a good pub atmosphere, Freestyle Electronica hopes to wow the crowd with their sugarcoat-free rap and electronic beats...
...Pity” is a complete reinterpretation of the Jacobean tragedy. According to Director Olivia A. Benowitz ’09, these changes were implemented so that the show will better resonate with a college crowd, even as it retains the scandalous elements that has made this particular play one of the most controversial works in English literature. “I wanted to keep people engaged, because I know that the language can be tough to get around,” Benowitz says. “So, the hip-hop music, the modern dress, and the dirt...