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...Hinks ’06, who directed Lloyd-Bollard in one of her first shows. “She has been a huge inspiration for me,” Lloyd-Bollard says of her friend. Recently, the pair worked together on 2006’s “The Playboy of the Western World.” In the past four years, Lloyd-Bollard has risen in the ranks of the Harvard theater community. Her most recent work was directing this month’s production of “Blasted” at the American Repertory Theatre...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Catrin Lloyd-Ballard | 4/29/2008 | See Source »

...wanted to know about things outside myself,” he says. He found his answers in inflatable objects. Blown-up lobsters and bunnies somehow connect Koons to the external world. For example, the rabbit that appears in so many of his works is a signifier for Playboy, masturbation, and the Easter Bunny, to name just a few. He feels that the layering of cultural meaning that he is able to employ through his use of inflatables makes his work more versatile. “The more chameleon art is, the more future it has because we change...

Author: By Ama R. Francis, CONTRIBUTING WRITER | Title: LINEAR PERSPECTIVE | 4/11/2008 | See Source »

...stand in front of a mirror?JTF: I have worked on Shakespeare before, but this is my first full production. I have done other plays that demanded a similar kind of style and poetic language, such as “The Rivals” and “Playboy of the Western World.” This production of Julius Caesar was rigorous and keenly focused on mastering the text. So even though the director’s vision for the play was unconventional, he put us through our paces in a conventional way; for the first two weeks...

Author: By Alec E Jones, CONTRIBUTING WRITER | Title: 'Wire' Actor Talks T.V. | 4/8/2008 | See Source »

...hear there’s some Playboy party tonight. You think you might check that...

Author: By Nayeli E. Rodriguez, CRIMSON STAFF WRITER | Title: French Connected | 4/3/2008 | See Source »

...inevitably, the market found it. By the late 1960s, peace symbols were appearing on coffee mugs, miniskirts and ponchos and were dangling from chains around the necks of guys you would expect to see at the Playboy mansion. Duplicated endlessly as a hip fashion accessory, it threatened to devolve into a meaningless emblem of benign and groovy sentiment. It started looking corny, a kind of smiley face before there were smiley faces...

Author: /time Magazine | Title: A Piece of Our Time | 3/27/2008 | See Source »

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