Word: playboys
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...mesmerize his audience for two hours plus ? a great gig. (There was to be another series of Village concerts in November, canceled after pressure from city authorities.) I also followed the installments of his autobiography that Hugh Hefner (like Krassner and Steve Allen, a prime Bruce stalwart) published in Playboy. It was a good time to be a Lenny fan. But not to be Lenny...
...There were hints of a change in the success of Playboy, which married an upmarket life style to photos of undressed cuties, and in court decisions that allowed the publication of sexually frank novels like D.H. Lawrence's Lady Chatterley's Lover. But pornography was something most people hid under the mattress. Eros was different. It said that sex wasn't dirty; it was a mark of connoisseurship. Eros was clean, a literary and lithographic work of art. Pristinely produced by art director Herb Lubalin, in an elegantly oversized format on both matte and glossy paper, and with hardback covers...
...problem. Hefner, in his robe, pipe and ascot, a blond on each arm and around each leg, really looked like a playboy. Ginzburg, unfortunately, was Central Casting's idea of a pornographer: shady, you might say shifty, with a thin, sallow face and a small mustache. But he, unlike Hefner, wasn't selling himself as the face of his magazine. And Eros was so gorgeous, it made the sex appeal of its editor-publisher irrelevant...
...dough. With the fourth issue came this flyer: "LAST CHANCE! If you act now, you may still become a Charter Subscriber to Eros." From the screaming capital letters and the shrillness of the italicized "now," even a teenager could tell that Eros wasn't a money-minter like Playboy. It wasn't sexy like Playboy either, and that was probably one reason I let my subscription lapse. Turns out, it didn't matter: issue #4 was the last to be published...
...away the Playboy and rest assured that the English department hasn’t left Harvard undergraduates high and dry now that newly-departed Cowles Associate Professor of English Lynn M. Festa’s “Sex and Sensibility in the Enlightenment” is just a relic in the CUE Guide archives. English Lecturer Marie K. Rutkoski’s fall semester class on Renaissance dramas will include lit staples by Freud and Foucault. According to the course description, “the culturally foreign, madness, and the supernatural” will all be explored. Sounds sexy...