Word: played
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Dates: during 1950-1959
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Union Power Play. Early in the week McDonald scored on his divide-and-conquer campaign in a friendly contract-signing session with Chairman Edgar Kaiser of California's Kaiser Steel Corp. (2% of steel capacity). Steelman Kaiser (see BUSINESS), refusing to stick with other operators through the injunction procedure, signed a 20-month union contract giving his 7,500 employees a yearly wage-and-fringe-benefit boost worth 11.25? an hour, only a quarter of a cent more than the last industry-wide offer. To the Kaiser company, the terms made special sense because of its special situation, which...
...Citroëns and four bodies long exposed to the sun-the young guide, the two Americans and one of the Frenchmen. Officials could only guess that the other had either struck out on his own or had died even before his companions. There was no evidence of foul play. An autopsy concluded that the young men had died of thirst and sunstroke...
Invited Guests. Both assessments were the product of the big new role that the U.S. has quietly begun to play in the hitherto chaotic affairs of Haiti. President François Duvalier invited the U.S. in. Caught between two strong-arm neighbors -Cuba's Fidel Castro and the Dominican Republic's Rafael Truiillo-Duvalier talked enviously of "Jamaica and Puerto Rico, whose political destinies are stabilized by larger countries." The President frankly described his own bureaucracy as "incompetent...
...argument: Should a pianist try for note-perfect accuracy, as most U.S. pianists do, or should he try, in Artur Rubinstein's phrase, to "pull the listener in by the hair," letting the notes fall where they may? (Wisecracking Virtuoso Rubinstein boasted after one performance that he could play an entire new recital with the notes that had fallen under the piano.) Pianist Richter-Haaser belongs to the hair-pulling, note-dropping school, in the spectacular romantic tradition. His performance last week-Beethoven's "Appassionato," Sonata, Schumann's Fantasy in C Major, Stravinsky's Sonata, Brahms...
...were on shaky ground; there is no evidence that Mozart, whose sense of humor was bawdy and mercurial, saw in Figaro anything but superb entertainment. Director Ritchard feels that even a Mozart opera should be theater, not merely oratorio, based his interpretation on a study of the original Beaumarchais play from which Lorenzo da Ponte wrote the libretto; Figaro, he thinks, is shot through with a kind of "Hogarthian exaggeration" too often muted by Mozart worshipers...